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Autor principal: Panasiuk, Mariia
Formato: Recurso digital
Lenguaje:inglés
Publicado: Zenodo 2025
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Acceso en línea:https://doi.org/10.5281/zenodo.15109921
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author Panasiuk, Mariia
author_facet Panasiuk, Mariia
contents <p><strong><span>Abstract</span></strong></p> <p><span>This paper examines the cultural, psychological, and sociological dimensions of pseudo-occultism and mass media spectacle, using the case of the 11th episode (March 29, 2025) of <em>Psychic Challenge: Battle of the Strongest</em> as a primary text. Through the lens of critical theory, gender studies, and Russian literary traditions, it explores how subcultures, trauma, and pseudo-mysticism are co-opted for entertainment. The analysis situates the phenomenon within the broader history of <em>Satanic Panic</em>, patriarchal power structures, and the commodification of belief. Additionally, it critiques the neglect of mental health issues in favor of sensationalist narratives.</span></p> <p><span>This paper explores the intersection of media spectacle, subcultures, and pseudo-occultism in contemporary mass culture through the lens of critical theory, media studies, and cultural anthropology. Using a case study of a Russian reality TV show on paranormal phenomena, the article dissects how esotericism, psychological exploitation, and social marginalization interact in a hyper-mediated environment. Drawing on the works of Theodor Adorno, Jean Baudrillard, Gilles Deleuze, and Michel Foucault, the paper examines the commodification of belief, the role of pseudo-gurus, and the gendered nature of occult narratives. The analysis highlights how disenfranchised youth, particularly those engaged in punk and alternative subcultures, become targets of media manipulation, pseudo-therapeutic practices, and performative spirituality.</span></p>
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spellingShingle "Demons, Charlatans, and the Spectacle: A Critical Analysis of Occultism, Subcultures, and Mass Media Manipulation (in Russia's The Psychic Challenge, 2025)"
Panasiuk, Mariia
The Psychic Challenge
Moral Panic
Satanism
Occultism
Dostoevsky
<p><strong><span>Abstract</span></strong></p> <p><span>This paper examines the cultural, psychological, and sociological dimensions of pseudo-occultism and mass media spectacle, using the case of the 11th episode (March 29, 2025) of <em>Psychic Challenge: Battle of the Strongest</em> as a primary text. Through the lens of critical theory, gender studies, and Russian literary traditions, it explores how subcultures, trauma, and pseudo-mysticism are co-opted for entertainment. The analysis situates the phenomenon within the broader history of <em>Satanic Panic</em>, patriarchal power structures, and the commodification of belief. Additionally, it critiques the neglect of mental health issues in favor of sensationalist narratives.</span></p> <p><span>This paper explores the intersection of media spectacle, subcultures, and pseudo-occultism in contemporary mass culture through the lens of critical theory, media studies, and cultural anthropology. Using a case study of a Russian reality TV show on paranormal phenomena, the article dissects how esotericism, psychological exploitation, and social marginalization interact in a hyper-mediated environment. Drawing on the works of Theodor Adorno, Jean Baudrillard, Gilles Deleuze, and Michel Foucault, the paper examines the commodification of belief, the role of pseudo-gurus, and the gendered nature of occult narratives. The analysis highlights how disenfranchised youth, particularly those engaged in punk and alternative subcultures, become targets of media manipulation, pseudo-therapeutic practices, and performative spirituality.</span></p>
title "Demons, Charlatans, and the Spectacle: A Critical Analysis of Occultism, Subcultures, and Mass Media Manipulation (in Russia's The Psychic Challenge, 2025)"
topic The Psychic Challenge
Moral Panic
Satanism
Occultism
Dostoevsky
url https://doi.org/10.5281/zenodo.15109921