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| Hauptverfasser: | , |
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| Format: | Recurso digital |
| Sprache: | Englisch |
| Veröffentlicht: |
Zenodo
2025
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| Schlagworte: | |
| Online-Zugang: | https://doi.org/10.5281/zenodo.15548264 |
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Inhaltsangabe:
- <p><strong>Background:</strong> This study examines the semiotic and emotional expression of Gan Nuo masks in traditional Chinese drama performances, focusing on their role in conveying cultural narratives and emotions. Originating from ancient religious rituals, these masks are rich in symbolic elements such as color, facial expressions, and ornamentation. <strong>Methods:</strong> Using a qualitative semiotic approach, the study analyzes secondary data to decode the visual elements of the masks. <strong>Results:</strong> In traditional Chinese drama, color serves as a symbolic tool to express emotional and spiritual qualities: red symbolizes bravery and loyalty, black denotes authority and strength, white is associated with martial nobility, yellow represents power, and green conveys grotesque or sinister qualities. The study suggests that colors like red and black may symbolize bravery and authority, while facial expressions communicate protection and spiritual guidance. <strong>Conclusion:</strong> The findings indicate that Gan Nuo masks embody a duality of meanings, with some masks reflecting aggressive protection against evil spirits and others portraying nurturing spiritual guidance. This duality aligns with Chinese spiritual traditions, where deities balance strength and benevolence. Additionally, the study underscores the educational importance of these masks, suggesting that traditional art forms can enhance cultural literacy and emotional connection to heritage, serving as effective tools for cultural transmission.</p>