Saved in:
| Main Author: | |
|---|---|
| Format: | Recurso digital |
| Language: | |
| Published: |
Zenodo
2025
|
| Online Access: | https://doi.org/10.5281/zenodo.18030767 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- <p>APOLLO confronts this system by refusing to participate in its spectacle, instead being<br>built as a mythic counter-narrative: the Absolute Artist, unbound by corporate<br>mediation 16.<br>• Spectacle as commodity: Emotional breakdowns, viral hooks as clickbait, and<br>curated personas are packaged for profit 13.<br>• Smallness as stigma: Independent artists are framed as amateur, unpolished, or<br>unworthy of mass attention 14.<br>• The lie of legitimacy: Labels perpetuate the narrative that only their machinery<br>can produce “real” art, thereby delegitimizing grassroots creation in digital music</p>