I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Recurso digital |
| Reo: | |
| I whakaputaina: |
Zenodo
2026
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| Urunga tuihono: | https://doi.org/10.5281/zenodo.18465903 |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- <p><em><span lang="EN-US">The title is one of the important elements in the analysis of a work of art. It acts as a key to the literary text. Based on the meaning of the word taken in the title, the reader gets an initial idea of the literary text. The purpose of the research is to study the anthroponymic title and its semantic classification, as well as its relationship with the literary text, using the example of the titles given to the poems of Abdulla Oripov. The research methods were based on linguistylistic, poetic, semantic analysis. Research results: The titles denoting the name of a person used in the work of Abdulla Oripov were classified according to their content into mythological anthroponymic title, mythopoetic anthroponymic title, religious-historical anthroponymic title, literary anthroponymic title, allusive anthroponymic, and historical anthroponymic titles. In conclusion, the study of anthroponymic titles in the example of the poet's work shows the poet's skill in using onomastic units. It also helps to analyze the author's use of anthroponyms for purposes such as understanding historical and national identity, expressing religious worldview, and emphasizing the image in the literary text, together with the content of the work.</span></em></p>