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| Main Authors: | , , , , |
|---|---|
| Format: | Recurso digital |
| Language: | English |
| Published: |
Zenodo
2026
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| Online Access: | https://doi.org/10.5281/zenodo.18637701 |
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Table of Contents:
- <p><strong>On May 3, 2025</strong>, American singer <strong><span><span>Lady Gaga</span></span></strong> performed at <strong><span><span>Copacabana Beach</span></span></strong>, attracting approximately <strong>2.5 million attendees</strong>—the largest concert audience for a female artist in recorded history. This unprecedented event provides a unique case study examining the intersection of performance anxiety and crowd psychology at extreme scales.</p> <p>Through analysis of primary source interviews—particularly Lady Gaga’s candid discussion on <strong><span><span>The Late Show with Stephen Colbert</span></span></strong>—alongside established theoretical frameworks in performance psychology and crowd dynamics, this paper explores bidirectional performer-audience psychological exchanges at megascale gatherings.</p> <p>Lady Gaga’s admission that she felt she would faint upon seeing the crowd, despite decades of professional experience, reveals how audience magnitude can trigger acute anxiety responses independent of performer expertise. Simultaneously, the concert demonstrated key principles of collective identity formation, emotional contagion, and shared social experience within mass gatherings.</p> <p>The analysis contributes to understanding human behavior in extreme crowd contexts, the psychological mechanisms underlying performer-audience interactions, and safety considerations for future megascale events. <strong>Economic impacts exceeding $109 million USD</strong> and <strong>successful security management despite terrorist threats</strong> further illustrate the multifaceted significance of such gatherings in contemporary society.</p>