Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Recurso digital |
| Giella: | |
| Almmustuhtton: |
Zenodo
2026
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| Liŋkkat: | https://doi.org/10.5281/zenodo.19078671 |
| Fáddágilkorat: |
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Sisdoallologahallan:
- <p>In string quartet performance, the conflict between Pythagorean (melodic) and Just (harmonic) intonation creates a structural residue known as the **Syntonic Comma**. This paper reinterprets this acoustic phenomenon through the **Theory of Global Irreducible Unfolding (TGIU)**. We demonstrate that the "lowered third" and the "expansion of fifths" are not mere aesthetic choices, but the mandatory payment of the **0.783 Entropic Tax ($\eta$)** required to stabilize 3D acoustic manifestations.</p>