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| Hlavní autor: | |
|---|---|
| Médium: | Recurso digital |
| Jazyk: | angličtina |
| Vydáno: |
Zenodo
2026
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| Témata: | |
| On-line přístup: | https://doi.org/10.5281/zenodo.19922448 |
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- <p class="MsoNormal"><span>This paper presents a deterministic computational framework that bridges number theory, generative music, and non-dual Sanskrit ontology through the systematic analysis of Chapter VIII of *Don Quixote*. By applying digital root reduction to classical integer sequences (Fibonacci, Lucas, Pell), we identify a universal 24-step cycle whose element-wise sum converges to 117 (1+1+7=9), establishing a "Cycle of 9" as the operational axis of the system.<br><br>The transmutation pipeline maps each character position to an acoustic and chromatic event via a Python-based generative engine, producing a 27-state output sequence reproducible with any 22-EDO tuning system. The architecture is governed by a 27-fold symmetry (2+7=9), unifying the 27-letter Spanish alphabet, 27 musical states (22 EDO microtonal steps + 5 narrative tones), and 27 archetypal characters into a single informational field.<br><br>The Prakriti root set {1, 2, 4, 8, 7, 5} is identified as the digital root reduction of successive powers of 2 — a cyclic sequence first systematised by Pingala in the *Chandaḥśāstra* (c. 200 BCE) and independently encoded in Pascal's Triangle — grounding the generative model in a mathematical tradition spanning over two millennia.<br><br>Within this model, *Avyakta* (unmanifest potential) and *Prakriti* (manifest form) — concepts derived from Sāṃkhya philosophy — define two functional classes of character positions that partition the nine digital roots completely, providing a mathematically grounded ontological binary for generative literary transmutation.<br></span></p>