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Príomhchruthaitheoir: Bertenshaw, David Ronald
Formáid: Recurso digital
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Foilsithe / Cruthaithe: Zenodo 2026
Ábhair:
Rochtain ar líne:https://doi.org/10.5281/zenodo.20009555
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_version_ 1866902263260250112
author Bertenshaw, David Ronald
author_facet Bertenshaw, David Ronald
contents <p>Design of memory control for large scale repertory theatres, developed from 1973-76 from a concept by Richard Pilbrow, the consultant for the new British National Theatre and chairman of Theatre Projects. His concept was based on a fully saturated rig, controlled by a highly sophisticated purpose-built lighting control. Total control of intensity, colour change and orientation of some spotlights was provided. The system was project named <strong>TCS</strong> (Total Control System) and was marketed as <strong>Lightboard</strong>.<br>The concept of latest-action-takes-precedence (LTP) and multiple timed fades were also pioneered on this desk, together with the idea of a lighting designers palette control.</p> <p>The system had multiple memory-content submasters, two manual / timed playbacks with multi-speed cues and VDUs focussing only on used channels. The first systems (TCS) launched the National Theatre in 1976, with later TCS2 systems having colour VDUs sold in Germany.</p> <p>Due to the need to use minicomputers (and needing a dedicated co-processor) it was very expensive, but provided the model for the later much more popular Galaxy system using microprocessors.</p> <p>This record is the design and technical documentation of the system. A narative description of the genesis of the system and the origin of the British National Theatre is hosted at   http://dx.doi.org/10.2139/ssrn.6299862 </p>
format Recurso digital
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institution Zenodo
language
publishDate 2026
publisher Zenodo
record_format zenodo
spellingShingle TCS and TCS2 (Lightboard) Technical Documentation
Bertenshaw, David Ronald
Lighting/history
Theatre
Minicomputers/history
stage lighting
lighting control
<p>Design of memory control for large scale repertory theatres, developed from 1973-76 from a concept by Richard Pilbrow, the consultant for the new British National Theatre and chairman of Theatre Projects. His concept was based on a fully saturated rig, controlled by a highly sophisticated purpose-built lighting control. Total control of intensity, colour change and orientation of some spotlights was provided. The system was project named <strong>TCS</strong> (Total Control System) and was marketed as <strong>Lightboard</strong>.<br>The concept of latest-action-takes-precedence (LTP) and multiple timed fades were also pioneered on this desk, together with the idea of a lighting designers palette control.</p> <p>The system had multiple memory-content submasters, two manual / timed playbacks with multi-speed cues and VDUs focussing only on used channels. The first systems (TCS) launched the National Theatre in 1976, with later TCS2 systems having colour VDUs sold in Germany.</p> <p>Due to the need to use minicomputers (and needing a dedicated co-processor) it was very expensive, but provided the model for the later much more popular Galaxy system using microprocessors.</p> <p>This record is the design and technical documentation of the system. A narative description of the genesis of the system and the origin of the British National Theatre is hosted at   http://dx.doi.org/10.2139/ssrn.6299862 </p>
title TCS and TCS2 (Lightboard) Technical Documentation
topic Lighting/history
Theatre
Minicomputers/history
stage lighting
lighting control
url https://doi.org/10.5281/zenodo.20009555