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| Hlavní autor: | |
|---|---|
| Médium: | Recurso digital |
| Jazyk: | angličtina |
| Vydáno: |
Zenodo
2026
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| Témata: | |
| On-line přístup: | https://doi.org/10.5281/zenodo.20107681 |
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- <p>This record presents Wanho Joung’s <em>Inevitable Providence of Multidimensional Love</em>. This essay articulates the principles and significance of sculpture and painting as archetypal forms of art that embody the essence of human ontology. It develops an ontology of sculpture and painting through the concepts of existence, spacetime, mass, gravity, multidimensional love, and inevitable providence. The text argues that sculpture and painting materialize total spacetime, incarnate the mass and gravity of existence, are driven by the force of multidimensional love, and serve the calling of inevitable providence. It further positions <em>Inevitable Providence of Multidimensional Love</em> as the macroscopic principle of the author’s art theory, while <em>Parallel Art</em> is defined as the microscopic aesthetics that disciplines and operates that art within the reality governed by uncertainty. This record includes the English edition and the Korean original. This work was developed as a graduation project at the Academy of Fine Arts Munich (AdBK München).</p>