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| Format: | Recurso digital |
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Zenodo
2026
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| Online adgang: | https://doi.org/10.5281/zenodo.20194313 |
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| _version_ | 1866901518177796096 |
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| author | Scan-the-World |
| author_facet | Scan-the-World |
| contents | This goddess wears a sleeveless, ungirt chiton of thin clinging material that reveals every curve of her body. Her pose—between standing and walking—was developed by the sculptor Polykleitos in the mid-fifth century B.C. She originally lifted one edge of her himation (cloak) with her right hand and probably held an apple in the other. |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_20194313 |
| institution | Zenodo |
| language | |
| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Marble Statue of Aphrodite, the so-called Venus Genetrix Scan-the-World woman halfbody This goddess wears a sleeveless, ungirt chiton of thin clinging material that reveals every curve of her body. Her pose—between standing and walking—was developed by the sculptor Polykleitos in the mid-fifth century B.C. She originally lifted one edge of her himation (cloak) with her right hand and probably held an apple in the other. |
| title | Marble Statue of Aphrodite, the so-called Venus Genetrix |
| topic | woman halfbody |
| url | https://doi.org/10.5281/zenodo.20194313 |