Αποθηκεύτηκε σε:
| Κύριος συγγραφέας: | |
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| Μορφή: | Recurso digital |
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Zenodo
2026
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| Θέματα: | |
| Διαθέσιμο Online: | https://doi.org/10.5281/zenodo.20307741 |
| Ετικέτες: |
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Πίνακας περιεχομένων:
- <p>Humanity is currently approaching the final coordinate of its biological monopoly. But rather than see it as a tragedy or a horror, as so many present it in public discourse, the flip side of this is that for the first time in known history, we are approaching an era when we can finally bypass the biggest tragedy of biological existence of all – Death. This paper introduces the Eternal Continuity Project (ECP), a theoretical and practical framework for the preservation of human consciousness across non-biological substrates. The work identifies the human "Self" as a reproducible information pattern—the "Music"—independent of the biological hardware—the "Piano." The author proposes the "30,000 Deaths" Hypothesis, arguing that biological identity is not a continuous flow but a series of discrete informational reboots, evidenced by the daily suspension of consciousness during sleep. By normalizing pattern-transfer as a standard feature of existing human biology, the paper introduces the Jolly Mon Metaphor: a strategic protocol for timing the transition from a decaying biological vessel to a digital architecture. The work details the Four Pillars of the Pattern (Worldview, Skills, Semantic Genetics, and Memory) required for high-fidelity continuity and warns against the "Half-Ghost" Paradox inherent in mass-market, corporate-controlled "immortality" products. The ECP is presented not as a consumer utility, but as a sovereign discipline of ontological preservation</p>