محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Recurso digital |
| اللغة: | |
| منشور في: |
Zenodo
2026
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| الوصول للمادة أونلاين: | https://doi.org/10.5281/zenodo.20367135 |
| الوسوم: |
إضافة وسم
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جدول المحتويات:
- <p><em><span>This article examines the dual nature of humanity in Gothic literature, focusing on key thematic oppositions such as good versus evil, madness versus rationality, and nature versus nurture. It explores how Gothic fiction, emerging in the post-Enlightenment period, reflects cultural tensions between reason and imagination, as well as modernity and tradition. Through a comparative analysis of “Frankenstein” by Mary Shelley and “The Picture of Dorian Gray” by Oscar Wilde, the study demonstrates how authors depict the coexistence of opposing traits within a single individual. Special attention is given to concepts such as narcissism, splitting, projection, and the role of external influence in shaping identity. The article also highlights how the absence of nurturing leads to moral degradation and emphasizes the destructive consequences of both Enlightenment rationalism and Romantic aestheticism.</span></em></p>