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| Format: | Recurso digital |
| Idioma: | espanyol |
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Zenodo
2024
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| Accés en línia: | https://doi.org/10.58079/12dsk |
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| _version_ | 1866901198481653760 |
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| author | Vidal Sanz, Rafael |
| author_facet | Vidal Sanz, Rafael |
| contents | <p>Post 37 of the academic Blog<em> Rec Lit</em>, edited by Llamas Ubieto, Miriam / Sánchez, Gómez, Laura, Hypotheses, Open Edition, https://reclit.hypotheses.org</p> <p>Description: Rafael Vidal talks about the gothic elements of some postdigital works of art.</p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_58079_12dsk |
| institution | Zenodo |
| language | spa |
| publishDate | 2024 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Los límites de la red: la presencia de lo gótico postdigital en Bleeding Edge (2013), de Thomas Pynchon, y Host (2020), de Rob Savage. Por Rafael Vidal Sanz Vidal Sanz, Rafael gothic digital humanities cinema digital image literature postdigital recycling <p>Post 37 of the academic Blog<em> Rec Lit</em>, edited by Llamas Ubieto, Miriam / Sánchez, Gómez, Laura, Hypotheses, Open Edition, https://reclit.hypotheses.org</p> <p>Description: Rafael Vidal talks about the gothic elements of some postdigital works of art.</p> |
| title | Los límites de la red: la presencia de lo gótico postdigital en Bleeding Edge (2013), de Thomas Pynchon, y Host (2020), de Rob Savage. Por Rafael Vidal Sanz |
| topic | gothic digital humanities cinema digital image literature postdigital recycling |
| url | https://doi.org/10.58079/12dsk |