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Main Authors: Xiaonan, Li, Shuyuan, Tian
Format: Recurso digital
Language:English
Published: Zenodo 2024
Subjects:
Online Access:https://doi.org/10.64212/DDWW1339
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author Xiaonan, Li
Shuyuan, Tian
author_facet Xiaonan, Li
Shuyuan, Tian
contents <p>This paper takes China’s earliest video artwork <em>30×30</em> and the early works of video artist Zhang Peili (張培力) as a foundation to study and explore the relationship between the origin of Chinese video art and the modern art movement in the 1980s. With the language of compulsive repetition Zhang Peili shifted his artistic creations from painting to video. The logic of conceptual art was pivotal in the early development of video art, and was further enriched through the exploration of the media language of video art, becoming the cornerstone for contemporary Chinese video art.</p>
format Recurso digital
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institution Zenodo
language eng
publishDate 2024
publisher Zenodo
record_format zenodo
spellingShingle Concept and Medium: China's First Video Art Piece and Zhang Peili's Early Artistic Creation
Xiaonan, Li
Shuyuan, Tian
Video art
'85 Movement
compulsive repetition
conceptual art
<p>This paper takes China’s earliest video artwork <em>30×30</em> and the early works of video artist Zhang Peili (張培力) as a foundation to study and explore the relationship between the origin of Chinese video art and the modern art movement in the 1980s. With the language of compulsive repetition Zhang Peili shifted his artistic creations from painting to video. The logic of conceptual art was pivotal in the early development of video art, and was further enriched through the exploration of the media language of video art, becoming the cornerstone for contemporary Chinese video art.</p>
title Concept and Medium: China's First Video Art Piece and Zhang Peili's Early Artistic Creation
topic Video art
'85 Movement
compulsive repetition
conceptual art
url https://doi.org/10.64212/DDWW1339