Saved in:
| Main Authors: | , |
|---|---|
| Format: | Recurso digital |
| Language: | English |
| Published: |
Zenodo
2024
|
| Subjects: | |
| Online Access: | https://doi.org/10.64212/DDWW1339 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- <p>This paper takes China’s earliest video artwork <em>30×30</em> and the early works of video artist Zhang Peili (張培力) as a foundation to study and explore the relationship between the origin of Chinese video art and the modern art movement in the 1980s. With the language of compulsive repetition Zhang Peili shifted his artistic creations from painting to video. The logic of conceptual art was pivotal in the early development of video art, and was further enriched through the exploration of the media language of video art, becoming the cornerstone for contemporary Chinese video art.</p>