The Mathematics of Painting: the Birth of Projective Geometry in the Italian Renaissance

Fuente: arXiv
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Main Authors: Gentili, Graziano, Simonutti, Luisa, Struppa, Daniele C.
Format: Preprint
Published: 2022
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author Gentili, Graziano
Simonutti, Luisa
Struppa, Daniele C.
author_facet Gentili, Graziano
Simonutti, Luisa
Struppa, Daniele C.
contents We show how the birth of perspective painting in the Italian Renaissance led to a new way of interpreting space that resulted in the creation of projective geometry. Unlike other works on this subject, we explicitly show how the craft of the painters implied the introduction of new points and lines (points and lines at infinity) and their projective coordinates to complete the Euclidean space to what is now called projective space. We demonstrate this idea by looking at original paintings from the Renaissance, and by carrying out the explicit analytic calculations that underpin those masterpieces.
format Preprint
id arxiv_https___arxiv_org_abs_2210_13295
institution arXiv
publishDate 2022
record_format arxiv
spellingShingle The Mathematics of Painting: the Birth of Projective Geometry in the Italian Renaissance
Gentili, Graziano
Simonutti, Luisa
Struppa, Daniele C.
History and Overview
00A66, 00A09
We show how the birth of perspective painting in the Italian Renaissance led to a new way of interpreting space that resulted in the creation of projective geometry. Unlike other works on this subject, we explicitly show how the craft of the painters implied the introduction of new points and lines (points and lines at infinity) and their projective coordinates to complete the Euclidean space to what is now called projective space. We demonstrate this idea by looking at original paintings from the Renaissance, and by carrying out the explicit analytic calculations that underpin those masterpieces.
title The Mathematics of Painting: the Birth of Projective Geometry in the Italian Renaissance
topic History and Overview
00A66, 00A09
url https://arxiv.org/abs/2210.13295