Saving temporary exhibitions in virtual environments: the Digital Renaissance of Ulisse Aldrovandi -- acquisition and digitisation of cultural heritage objects
Fuente:
arXiv
Salvato in:
| Autori principali: | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |
|---|---|
| Natura: | Preprint |
| Pubblicazione: |
2023
|
| Soggetti: | |
| Accesso online: | |
| Tags: |
Aggiungi Tag
Nessun Tag, puoi essere il primo ad aggiungerne!!
|
| _version_ | 1866911752205107200 |
|---|---|
| author | Balzani, Roberto Barzaghi, Sebastian Bitelli, Gabriele Bonifazi, Federica Bordignon, Alice Cipriani, Luca Colitti, Simona Collina, Federica Daquino, Marilena Fabbri, Francesca Fanini, Bruno Fantini, Filippo Ferdani, Daniele Fiorini, Giulia Formia, Elena Forte, Anna Giacomini, Federica Girelli, Valentina Alena Gualandi, Bianca Heibi, Ivan Iannucci, Alessandro Del Fà, Rachele Manganelli Massari, Arcangelo Moretti, Arianna Peroni, Silvio Pescarin, Sofia Renda, Giulia Ronchi, Diego Sullini, Mattia Tini, Maria Alessandra Tomasi, Francesca Travaglini, Laura Vittuari, Luca |
| author_facet | Balzani, Roberto Barzaghi, Sebastian Bitelli, Gabriele Bonifazi, Federica Bordignon, Alice Cipriani, Luca Colitti, Simona Collina, Federica Daquino, Marilena Fabbri, Francesca Fanini, Bruno Fantini, Filippo Ferdani, Daniele Fiorini, Giulia Formia, Elena Forte, Anna Giacomini, Federica Girelli, Valentina Alena Gualandi, Bianca Heibi, Ivan Iannucci, Alessandro Del Fà, Rachele Manganelli Massari, Arcangelo Moretti, Arianna Peroni, Silvio Pescarin, Sofia Renda, Giulia Ronchi, Diego Sullini, Mattia Tini, Maria Alessandra Tomasi, Francesca Travaglini, Laura Vittuari, Luca |
| contents | As per the objectives of Project CHANGES, particularly its thematic sub-project on the use of virtual technologies for museums and art collections, our goal was to obtain a digital twin of the temporary exhibition on Ulisse Aldrovandi called "The Other Renaissance", and make it accessible to users online. After a preliminary study of the exhibition, focussing on acquisition constraints and related solutions, we proceeded with the digital twin creation by acquiring, processing, modelling, optimising, exporting, and metadating the exhibition. We made hybrid use of two acquisition techniques to create new digital cultural heritage objects and environments, and we used open technologies, formats, and protocols to make available the final digital product. Here, we describe the process of collecting and curating bibliographical exhibition (meta)data and the beginning of the digital twin creation to foster its findability, accessibility, interoperability, and reusability. The creation of the digital twin is currently ongoing. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2308_15920 |
| institution | arXiv |
| publishDate | 2023 |
| record_format | arxiv |
| spellingShingle | Saving temporary exhibitions in virtual environments: the Digital Renaissance of Ulisse Aldrovandi -- acquisition and digitisation of cultural heritage objects Balzani, Roberto Barzaghi, Sebastian Bitelli, Gabriele Bonifazi, Federica Bordignon, Alice Cipriani, Luca Colitti, Simona Collina, Federica Daquino, Marilena Fabbri, Francesca Fanini, Bruno Fantini, Filippo Ferdani, Daniele Fiorini, Giulia Formia, Elena Forte, Anna Giacomini, Federica Girelli, Valentina Alena Gualandi, Bianca Heibi, Ivan Iannucci, Alessandro Del Fà, Rachele Manganelli Massari, Arcangelo Moretti, Arianna Peroni, Silvio Pescarin, Sofia Renda, Giulia Ronchi, Diego Sullini, Mattia Tini, Maria Alessandra Tomasi, Francesca Travaglini, Laura Vittuari, Luca Graphics Digital Libraries As per the objectives of Project CHANGES, particularly its thematic sub-project on the use of virtual technologies for museums and art collections, our goal was to obtain a digital twin of the temporary exhibition on Ulisse Aldrovandi called "The Other Renaissance", and make it accessible to users online. After a preliminary study of the exhibition, focussing on acquisition constraints and related solutions, we proceeded with the digital twin creation by acquiring, processing, modelling, optimising, exporting, and metadating the exhibition. We made hybrid use of two acquisition techniques to create new digital cultural heritage objects and environments, and we used open technologies, formats, and protocols to make available the final digital product. Here, we describe the process of collecting and curating bibliographical exhibition (meta)data and the beginning of the digital twin creation to foster its findability, accessibility, interoperability, and reusability. The creation of the digital twin is currently ongoing. |
| title | Saving temporary exhibitions in virtual environments: the Digital Renaissance of Ulisse Aldrovandi -- acquisition and digitisation of cultural heritage objects |
| topic | Graphics Digital Libraries |
| url | https://arxiv.org/abs/2308.15920 |