Archiving Body Movements: Collective Generation of Chinese Calligraphy
Fuente:
arXiv
Salvato in:
| Autori principali: | , , , |
|---|---|
| Natura: | Preprint |
| Pubblicazione: |
2023
|
| Soggetti: | |
| Accesso online: | |
| Tags: |
Aggiungi Tag
Nessun Tag, puoi essere il primo ad aggiungerne!!
|
| _version_ | 1866910498030616576 |
|---|---|
| author | Zhou, Aven Le Ye, Jiayi Liu, Tianchen Zhang, Kang |
| author_facet | Zhou, Aven Le Ye, Jiayi Liu, Tianchen Zhang, Kang |
| contents | As a communication channel, body movements have been widely explored in behavioral studies and kinesics. Performing and visual arts share the same interests but focus on documenting and representing human body movements, such as for dance notation and visual work creation. This paper investigates body movements in oriental calligraphy and how to apply calligraphy principles to stimulate and archive body movements. Through an artwork (Wushu), the authors experiment with an interactive and generative approach to engage the audience's bodily participation and archive the body movements as a compendium of generated calligraphy. The audience assumes the role of both writers and readers; creating ("writing") and appreciating ("reading") the generated calligraphy becomes a cyclical process within this infinite "Book," which can motivate further attention and discussions concerning Chinese characters and calligraphy. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2311_13770 |
| institution | arXiv |
| publishDate | 2023 |
| record_format | arxiv |
| spellingShingle | Archiving Body Movements: Collective Generation of Chinese Calligraphy Zhou, Aven Le Ye, Jiayi Liu, Tianchen Zhang, Kang Multimedia Artificial Intelligence Human-Computer Interaction As a communication channel, body movements have been widely explored in behavioral studies and kinesics. Performing and visual arts share the same interests but focus on documenting and representing human body movements, such as for dance notation and visual work creation. This paper investigates body movements in oriental calligraphy and how to apply calligraphy principles to stimulate and archive body movements. Through an artwork (Wushu), the authors experiment with an interactive and generative approach to engage the audience's bodily participation and archive the body movements as a compendium of generated calligraphy. The audience assumes the role of both writers and readers; creating ("writing") and appreciating ("reading") the generated calligraphy becomes a cyclical process within this infinite "Book," which can motivate further attention and discussions concerning Chinese characters and calligraphy. |
| title | Archiving Body Movements: Collective Generation of Chinese Calligraphy |
| topic | Multimedia Artificial Intelligence Human-Computer Interaction |
| url | https://arxiv.org/abs/2311.13770 |