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| Formato: | Preprint |
| Publicado: |
2024
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| Materias: | |
| Acceso en línea: | https://arxiv.org/abs/2404.03923 |
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| _version_ | 1866914742010904576 |
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| author | Robillard, Gaëtan |
| author_facet | Robillard, Gaëtan |
| contents | In Search of the Wave is a computer-generated film made in 2013, highlighting the computation of images through computer simulation, and through text and voice. Originating from a screening of the film at the Gustave Eiffel University, the article presents a reflection on research-creation in and from algorithmic images. Fundamentally, what is it in this research-creation -- especially in research on algorithmic imagery -- that can be set in motion? Without fully distinguishing between what would be research on one hand and creation on the other, we focus on characterizing forms, aesthetics, or theories that contribute to possible shifts. The inventory of these possibilities is precisely the challenge of the text: from mathematics to image and visualization, from the birth of generative aesthetics to the coding related to pioneering works (recoding), or from indexing new aesthetics to new forms of critical production. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2404_03923 |
| institution | arXiv |
| publishDate | 2024 |
| record_format | arxiv |
| spellingShingle | Quand rechercher c'est faire des vagues : Dans et {à} partir des images algorithmiques Robillard, Gaëtan Graphics In Search of the Wave is a computer-generated film made in 2013, highlighting the computation of images through computer simulation, and through text and voice. Originating from a screening of the film at the Gustave Eiffel University, the article presents a reflection on research-creation in and from algorithmic images. Fundamentally, what is it in this research-creation -- especially in research on algorithmic imagery -- that can be set in motion? Without fully distinguishing between what would be research on one hand and creation on the other, we focus on characterizing forms, aesthetics, or theories that contribute to possible shifts. The inventory of these possibilities is precisely the challenge of the text: from mathematics to image and visualization, from the birth of generative aesthetics to the coding related to pioneering works (recoding), or from indexing new aesthetics to new forms of critical production. |
| title | Quand rechercher c'est faire des vagues : Dans et {à} partir des images algorithmiques |
| topic | Graphics |
| url | https://arxiv.org/abs/2404.03923 |