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| Autore principale: | |
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| Natura: | Preprint |
| Pubblicazione: |
2024
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| Soggetti: | |
| Accesso online: | https://arxiv.org/abs/2407.09483 |
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| _version_ | 1866913431299293184 |
|---|---|
| author | Gagneré, Georges |
| author_facet | Gagneré, Georges |
| contents | Andersen's tale The Shadow offers a theatrical situation confronting a Scholar to his Shadow. I program specific creatures that I called shadow avatar to stage the story with five of them and a physical narrator. Echoing Edmond Couchot's ideas about virtual people helping human beings to adapt to technological evolutions, I describe dynamics of coevolution characterizing the relationship between a director, actors, and shadow avatars during the process of staging The Shadow. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2407_09483 |
| institution | arXiv |
| publishDate | 2024 |
| record_format | arxiv |
| spellingShingle | The Shadow: Coevolution Processes Between a Director, Actors and Avatars Gagneré, Georges Computers and Society Graphics Andersen's tale The Shadow offers a theatrical situation confronting a Scholar to his Shadow. I program specific creatures that I called shadow avatar to stage the story with five of them and a physical narrator. Echoing Edmond Couchot's ideas about virtual people helping human beings to adapt to technological evolutions, I describe dynamics of coevolution characterizing the relationship between a director, actors, and shadow avatars during the process of staging The Shadow. |
| title | The Shadow: Coevolution Processes Between a Director, Actors and Avatars |
| topic | Computers and Society Graphics |
| url | https://arxiv.org/abs/2407.09483 |