How Artists Improvise and Provoke Robotics

Fuente: arXiv
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Bibliographic Details
Main Authors: Benford, Steve, Garrett, Rachael, Schneiders, Eike, Tennent, Paul, Chamberlain, Alan, Avila, Juan, Brundell, Pat, Castle-Green, Simon
Format: Preprint
Published: 2024
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author Benford, Steve
Garrett, Rachael
Schneiders, Eike
Tennent, Paul
Chamberlain, Alan
Avila, Juan
Brundell, Pat
Castle-Green, Simon
author_facet Benford, Steve
Garrett, Rachael
Schneiders, Eike
Tennent, Paul
Chamberlain, Alan
Avila, Juan
Brundell, Pat
Castle-Green, Simon
contents We explore transdisciplinary collaborations between artists and roboticists across a portfolio of artworks. Brendan Walker's Broncomatic was a breath controlled mechanical rodeo bull ride. Blast Theory's Cat Royale deployed a robot arm to play with a family of three cats for twelve days. Different Bodies is a prototype improvised dance performance in which dancers with disabilities physically manipulate two mirrored robot arms. We reflect on these to explore how artists shape robotics research through the two key strategies of improvisation and provocation. Artists are skilled at improvising extended robot experiences that surface opportunities for technology-focused design, but which also require researchers to improvise their research processes. Artists may provoke audiences into reflecting on the societal implications of robots, but at the same time challenge the established techno-centric concepts, methods and underlying epistemology of robotics research.
format Preprint
id arxiv_https___arxiv_org_abs_2410_22462
institution arXiv
publishDate 2024
record_format arxiv
spellingShingle How Artists Improvise and Provoke Robotics
Benford, Steve
Garrett, Rachael
Schneiders, Eike
Tennent, Paul
Chamberlain, Alan
Avila, Juan
Brundell, Pat
Castle-Green, Simon
Robotics
We explore transdisciplinary collaborations between artists and roboticists across a portfolio of artworks. Brendan Walker's Broncomatic was a breath controlled mechanical rodeo bull ride. Blast Theory's Cat Royale deployed a robot arm to play with a family of three cats for twelve days. Different Bodies is a prototype improvised dance performance in which dancers with disabilities physically manipulate two mirrored robot arms. We reflect on these to explore how artists shape robotics research through the two key strategies of improvisation and provocation. Artists are skilled at improvising extended robot experiences that surface opportunities for technology-focused design, but which also require researchers to improvise their research processes. Artists may provoke audiences into reflecting on the societal implications of robots, but at the same time challenge the established techno-centric concepts, methods and underlying epistemology of robotics research.
title How Artists Improvise and Provoke Robotics
topic Robotics
url https://arxiv.org/abs/2410.22462