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Auteur principal: Boisnard, Philippe
Format: Preprint
Publié: 2024
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Accès en ligne:https://arxiv.org/abs/2411.10467
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author Boisnard, Philippe
author_facet Boisnard, Philippe
contents The acceleration of the use of generative artificial intelligences (AI), since 2015 and the turning point operated by Deepdream, tends to obscure a real analysis of what could be defined as artificial imagination. AIs are either reduced to simple instruments or thought of according to a form of techno-theologism. Our research tends to suspend any form of judgment in order to phenomenally grasp the emergence of these AIs. By taking up the question of Hegel's aesthetics and of art as the free production of the mind, but by moving it towards the question of generative AIs and therefore of a post-aesthetics, this article will show the phenomenal specificity of images generatedby AI.
format Preprint
id arxiv_https___arxiv_org_abs_2411_10467
institution arXiv
publishDate 2024
record_format arxiv
spellingShingle Prolegomena to a Post-Aesthetics of Artificial Imaginations
Boisnard, Philippe
Human-Computer Interaction
The acceleration of the use of generative artificial intelligences (AI), since 2015 and the turning point operated by Deepdream, tends to obscure a real analysis of what could be defined as artificial imagination. AIs are either reduced to simple instruments or thought of according to a form of techno-theologism. Our research tends to suspend any form of judgment in order to phenomenally grasp the emergence of these AIs. By taking up the question of Hegel's aesthetics and of art as the free production of the mind, but by moving it towards the question of generative AIs and therefore of a post-aesthetics, this article will show the phenomenal specificity of images generatedby AI.
title Prolegomena to a Post-Aesthetics of Artificial Imaginations
topic Human-Computer Interaction
url https://arxiv.org/abs/2411.10467