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Main Authors: Lin, Yi, Gu, Lin, Cui, Ziteng, Su, Shenghan, Hao, Yumo, Tian, Yingtao, Harada, Tatsuya, Yang, Jianfei
Format: Preprint
Published: 2025
Subjects:
Online Access:https://arxiv.org/abs/2501.04966
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author Lin, Yi
Gu, Lin
Cui, Ziteng
Su, Shenghan
Hao, Yumo
Tian, Yingtao
Harada, Tatsuya
Yang, Jianfei
author_facet Lin, Yi
Gu, Lin
Cui, Ziteng
Su, Shenghan
Hao, Yumo
Tian, Yingtao
Harada, Tatsuya
Yang, Jianfei
contents From Paleolithic cave paintings to Impressionism, human painting has evolved to depict increasingly complex and detailed scenes, conveying more nuanced messages. This paper attempts to emerge this artistic capability by simulating the evolutionary pressures that enhance visual communication efficiency. Specifically, we present a model with a stroke branch and a palette branch that together simulate human-like painting. The palette branch learns a limited colour palette, while the stroke branch parameterises each stroke using Bézier curves to render an image, subsequently evaluated by a high-level recognition module. We quantify the efficiency of visual communication by measuring the recognition accuracy achieved with machine vision. The model then optimises the control points and colour choices for each stroke to maximise recognition accuracy with minimal strokes and colours. Experimental results show that our model achieves superior performance in high-level recognition tasks, delivering artistic expression and aesthetic appeal, especially in abstract sketches. Additionally, our approach shows promise as an efficient bit-level image compression technique, outperforming traditional methods.
format Preprint
id arxiv_https___arxiv_org_abs_2501_04966
institution arXiv
publishDate 2025
record_format arxiv
spellingShingle Emergence of Painting Ability via Recognition-Driven Evolution
Lin, Yi
Gu, Lin
Cui, Ziteng
Su, Shenghan
Hao, Yumo
Tian, Yingtao
Harada, Tatsuya
Yang, Jianfei
Computer Vision and Pattern Recognition
From Paleolithic cave paintings to Impressionism, human painting has evolved to depict increasingly complex and detailed scenes, conveying more nuanced messages. This paper attempts to emerge this artistic capability by simulating the evolutionary pressures that enhance visual communication efficiency. Specifically, we present a model with a stroke branch and a palette branch that together simulate human-like painting. The palette branch learns a limited colour palette, while the stroke branch parameterises each stroke using Bézier curves to render an image, subsequently evaluated by a high-level recognition module. We quantify the efficiency of visual communication by measuring the recognition accuracy achieved with machine vision. The model then optimises the control points and colour choices for each stroke to maximise recognition accuracy with minimal strokes and colours. Experimental results show that our model achieves superior performance in high-level recognition tasks, delivering artistic expression and aesthetic appeal, especially in abstract sketches. Additionally, our approach shows promise as an efficient bit-level image compression technique, outperforming traditional methods.
title Emergence of Painting Ability via Recognition-Driven Evolution
topic Computer Vision and Pattern Recognition
url https://arxiv.org/abs/2501.04966