S-KEY: Self-supervised Learning of Major and Minor Keys from Audio

Fuente: arXiv
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Main Authors: Kong, Yuexuan, Meseguer-Brocal, Gabriel, Lostanlen, Vincent, Lagrange, Mathieu, Hennequin, Romain
Format: Preprint
Published: 2025
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author Kong, Yuexuan
Meseguer-Brocal, Gabriel
Lostanlen, Vincent
Lagrange, Mathieu
Hennequin, Romain
author_facet Kong, Yuexuan
Meseguer-Brocal, Gabriel
Lostanlen, Vincent
Lagrange, Mathieu
Hennequin, Romain
contents STONE, the current method in self-supervised learning for tonality estimation in music signals, cannot distinguish relative keys, such as C major versus A minor. In this article, we extend the neural network architecture and learning objective of STONE to perform self-supervised learning of major and minor keys (S-KEY). Our main contribution is an auxiliary pretext task to STONE, formulated using transposition-invariant chroma features as a source of pseudo-labels. S-KEY matches the supervised state of the art in tonality estimation on FMAKv2 and GTZAN datasets while requiring no human annotation and having the same parameter budget as STONE. We build upon this result and expand the training set of S-KEY to a million songs, thus showing the potential of large-scale self-supervised learning in music information retrieval.
format Preprint
id arxiv_https___arxiv_org_abs_2501_12907
institution arXiv
publishDate 2025
record_format arxiv
spellingShingle S-KEY: Self-supervised Learning of Major and Minor Keys from Audio
Kong, Yuexuan
Meseguer-Brocal, Gabriel
Lostanlen, Vincent
Lagrange, Mathieu
Hennequin, Romain
Sound
Audio and Speech Processing
STONE, the current method in self-supervised learning for tonality estimation in music signals, cannot distinguish relative keys, such as C major versus A minor. In this article, we extend the neural network architecture and learning objective of STONE to perform self-supervised learning of major and minor keys (S-KEY). Our main contribution is an auxiliary pretext task to STONE, formulated using transposition-invariant chroma features as a source of pseudo-labels. S-KEY matches the supervised state of the art in tonality estimation on FMAKv2 and GTZAN datasets while requiring no human annotation and having the same parameter budget as STONE. We build upon this result and expand the training set of S-KEY to a million songs, thus showing the potential of large-scale self-supervised learning in music information retrieval.
title S-KEY: Self-supervised Learning of Major and Minor Keys from Audio
topic Sound
Audio and Speech Processing
url https://arxiv.org/abs/2501.12907