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| Main Authors: | , |
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| Format: | Preprint |
| Published: |
2025
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| Subjects: | |
| Online Access: | https://arxiv.org/abs/2501.15346 |
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| _version_ | 1866916584394588160 |
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| author | Sun, Yuqian Gualeni, Stefano |
| author_facet | Sun, Yuqian Gualeni, Stefano |
| contents | This chapter examines the conceptual tensions in understanding artificial intelligence (AI) agents' role in creative processes, particularly focusing on Large Language Models (LLMs). Building upon Schmidt's 1954 categorization of human-technology relationships and the classical definition of "author," this chapter proposes to understand AI agency as existing somewhere between that of an inanimate puppet and a performing actor. While AI agents demonstrate a degree of creative autonomy, including the ability to improvise and construct complex narrative content in interactive storytelling, they cannot be considered authors in the classical sense of the term. This chapter thus suggests that AI agents exist in a dynamic state between human-controlled puppets and semi-autonomous actors. This conceptual positioning reflects how AI agents, while they can certainly contribute to creative work, remain bound to human direction. We also argue that existing conceptual frames concerning authorship should evolve and adapt to capture these new relationships. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2501_15346 |
| institution | arXiv |
| publishDate | 2025 |
| record_format | arxiv |
| spellingShingle | Between Puppet and Actor: Reframing Authorship in this Age of AI Agents Sun, Yuqian Gualeni, Stefano Human-Computer Interaction This chapter examines the conceptual tensions in understanding artificial intelligence (AI) agents' role in creative processes, particularly focusing on Large Language Models (LLMs). Building upon Schmidt's 1954 categorization of human-technology relationships and the classical definition of "author," this chapter proposes to understand AI agency as existing somewhere between that of an inanimate puppet and a performing actor. While AI agents demonstrate a degree of creative autonomy, including the ability to improvise and construct complex narrative content in interactive storytelling, they cannot be considered authors in the classical sense of the term. This chapter thus suggests that AI agents exist in a dynamic state between human-controlled puppets and semi-autonomous actors. This conceptual positioning reflects how AI agents, while they can certainly contribute to creative work, remain bound to human direction. We also argue that existing conceptual frames concerning authorship should evolve and adapt to capture these new relationships. |
| title | Between Puppet and Actor: Reframing Authorship in this Age of AI Agents |
| topic | Human-Computer Interaction |
| url | https://arxiv.org/abs/2501.15346 |