Methods for pitch analysis in contemporary popular music: highlighting pitch uncertainty in Primaal's commercial works
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arXiv
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| Main Authors: | , , , |
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| Format: | Preprint |
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2025
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| _version_ | 1866912230378831872 |
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| author | Deruty, Emmanuel Leroy, Luc Macé, Yann Meredith, David |
| author_facet | Deruty, Emmanuel Leroy, Luc Macé, Yann Meredith, David |
| contents | We identify characteristic features of how pitch is manipulated for expressive purposes by Hyper Music, a mainstream commercial music company specialising in advertisement music for global corporations. The study shows that the use and organisation of pitch in the company's `Primaal' brand differs from Western classical music. Through interviews with producers and in-depth analysis of their work, we reveal that their methods centre on a conscious aim to construct a musical discourse based on pitch uncertainty, contrasting with the clear transmission of well-defined pitches in Western classical traditions. According to the Primaal producers, who acknowledge the influence of artists such as Kanye West and Daft Punk and use widely available technology, pitch uncertainty captures the listener's attention. We provide analyses of musical excerpts demonstrating their approach, alongside descriptions of the tools and methods employed to achieve their expressive goals. These goals and methods are placed in a broader historical context, contrasting with fundamental principles of pitch organisation in Western music. Techniques used by Hyper Music to introduce and control pitch uncertainty include boosting upper partials, expressive use of inharmonicity, continuous pitch distributions around 'poles' tied to specific 'modes', and continuously evolving pitch. We examine these techniques from a psychoacoustic perspective, and conduct listening tests corroborating some of the observations. The ultimate goal of the study is to introduce a set of methods suited to the analysis of pitch in contemporary popular music. |
| format | Preprint |
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arxiv_https___arxiv_org_abs_2502_08131 |
| institution | arXiv |
| publishDate | 2025 |
| record_format | arxiv |
| spellingShingle | Methods for pitch analysis in contemporary popular music: highlighting pitch uncertainty in Primaal's commercial works Deruty, Emmanuel Leroy, Luc Macé, Yann Meredith, David Sound 00A65 J.5 We identify characteristic features of how pitch is manipulated for expressive purposes by Hyper Music, a mainstream commercial music company specialising in advertisement music for global corporations. The study shows that the use and organisation of pitch in the company's `Primaal' brand differs from Western classical music. Through interviews with producers and in-depth analysis of their work, we reveal that their methods centre on a conscious aim to construct a musical discourse based on pitch uncertainty, contrasting with the clear transmission of well-defined pitches in Western classical traditions. According to the Primaal producers, who acknowledge the influence of artists such as Kanye West and Daft Punk and use widely available technology, pitch uncertainty captures the listener's attention. We provide analyses of musical excerpts demonstrating their approach, alongside descriptions of the tools and methods employed to achieve their expressive goals. These goals and methods are placed in a broader historical context, contrasting with fundamental principles of pitch organisation in Western music. Techniques used by Hyper Music to introduce and control pitch uncertainty include boosting upper partials, expressive use of inharmonicity, continuous pitch distributions around 'poles' tied to specific 'modes', and continuously evolving pitch. We examine these techniques from a psychoacoustic perspective, and conduct listening tests corroborating some of the observations. The ultimate goal of the study is to introduce a set of methods suited to the analysis of pitch in contemporary popular music. |
| title | Methods for pitch analysis in contemporary popular music: highlighting pitch uncertainty in Primaal's commercial works |
| topic | Sound 00A65 J.5 |
| url | https://arxiv.org/abs/2502.08131 |