Adaptation and synchronization -- basic mechanisms in music performance
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arXiv
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| Format: | Preprint |
| Published: |
2025
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| _version_ | 1866913778020384768 |
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| author | Sawicki, Jakub |
| author_facet | Sawicki, Jakub |
| contents | This review examines the roles of adaptation and synchronization in music performance, drawing on concepts from complex systems theory to understand the dynamic interactions between musicians, music, and listeners. Adaptation is explored through how musicians adjust their cognitive, emotional, and motor systems across the stages of preparation, execution, and reception, while synchronization is emphasized as essential for aligning internal states, coordinating actions with other performers, and engaging with the audience. The review highlights the interdisciplinary nature of music performance research, integrating cognitive, motor, and emotional processes to enhance both individual and collective musical expression. It also addresses the psychological state of flow, which arises from synchronized neurocognitive mechanisms that optimize performance. Additionally, the emotional synchronization facilitated by music is explored, emphasizing its role in both individual emotional coherence and social coordination within musical ensembles. Finally, the review highlights recent findings on interpersonal and inter-brain synchronization, particularly in live music performances and improvisation, showing how synchronization fosters creativity, social cohesion, and a shared collective experience. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2504_03958 |
| institution | arXiv |
| publishDate | 2025 |
| record_format | arxiv |
| spellingShingle | Adaptation and synchronization -- basic mechanisms in music performance Sawicki, Jakub Physics and Society This review examines the roles of adaptation and synchronization in music performance, drawing on concepts from complex systems theory to understand the dynamic interactions between musicians, music, and listeners. Adaptation is explored through how musicians adjust their cognitive, emotional, and motor systems across the stages of preparation, execution, and reception, while synchronization is emphasized as essential for aligning internal states, coordinating actions with other performers, and engaging with the audience. The review highlights the interdisciplinary nature of music performance research, integrating cognitive, motor, and emotional processes to enhance both individual and collective musical expression. It also addresses the psychological state of flow, which arises from synchronized neurocognitive mechanisms that optimize performance. Additionally, the emotional synchronization facilitated by music is explored, emphasizing its role in both individual emotional coherence and social coordination within musical ensembles. Finally, the review highlights recent findings on interpersonal and inter-brain synchronization, particularly in live music performances and improvisation, showing how synchronization fosters creativity, social cohesion, and a shared collective experience. |
| title | Adaptation and synchronization -- basic mechanisms in music performance |
| topic | Physics and Society |
| url | https://arxiv.org/abs/2504.03958 |