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| Main Author: | |
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| Format: | Preprint |
| Published: |
2025
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| Subjects: | |
| Online Access: | https://arxiv.org/abs/2506.19813 |
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| _version_ | 1866911377401053184 |
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| author | Covas, Eurico |
| author_facet | Covas, Eurico |
| contents | Here we present a series of artificial models - a total of four related models - based on machine learning techniques that attempt to learn from existing exhibitions which have been curated by human experts, in order to be able to do similar curatorship work. Out of our four artificial intelligence models, three achieve a reasonable ability at imitating these various curators responsible for all those exhibitions, with various degrees of precision and curatorial coherence. In particular, we can conclude two key insights: first, that there is sufficient information in these exhibitions to construct an artificial intelligence model that replicates past exhibitions with an accuracy well above random choices; and second, that using feature engineering and carefully designing the architecture of modest size models can make them almost as good as those using the so-called large language models such as GPT in a brute force approach. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2506_19813 |
| institution | arXiv |
| publishDate | 2025 |
| record_format | arxiv |
| spellingShingle | Curating art exhibitions using machine learning Covas, Eurico Machine Learning Here we present a series of artificial models - a total of four related models - based on machine learning techniques that attempt to learn from existing exhibitions which have been curated by human experts, in order to be able to do similar curatorship work. Out of our four artificial intelligence models, three achieve a reasonable ability at imitating these various curators responsible for all those exhibitions, with various degrees of precision and curatorial coherence. In particular, we can conclude two key insights: first, that there is sufficient information in these exhibitions to construct an artificial intelligence model that replicates past exhibitions with an accuracy well above random choices; and second, that using feature engineering and carefully designing the architecture of modest size models can make them almost as good as those using the so-called large language models such as GPT in a brute force approach. |
| title | Curating art exhibitions using machine learning |
| topic | Machine Learning |
| url | https://arxiv.org/abs/2506.19813 |