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Autori principali: Vaillant, Gwendal Le, Molle, Yannick
Natura: Preprint
Pubblicazione: 2025
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Accesso online:https://arxiv.org/abs/2509.13285
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author Vaillant, Gwendal Le
Molle, Yannick
author_facet Vaillant, Gwendal Le
Molle, Yannick
contents Efficiently retrieving specific instrument timbres from audio mixtures remains a challenge in digital music production. This paper introduces a contrastive learning framework for musical instrument retrieval, enabling direct querying of instrument databases using a single model for both single- and multi-instrument sounds. We propose techniques to generate realistic positive/negative pairs of sounds for virtual musical instruments, such as samplers and synthesizers, addressing limitations in common audio data augmentation methods. The first experiment focuses on instrument retrieval from a dataset of 3,884 instruments, using single-instrument audio as input. Contrastive approaches are competitive with previous works based on classification pre-training. The second experiment considers multi-instrument retrieval with a mixture of instruments as audio input. In this case, the proposed contrastive framework outperforms related works, achieving 81.7\% top-1 and 95.7\% top-5 accuracies for three-instrument mixtures.
format Preprint
id arxiv_https___arxiv_org_abs_2509_13285
institution arXiv
publishDate 2025
record_format arxiv
spellingShingle Contrastive timbre representations for musical instrument and synthesizer retrieval
Vaillant, Gwendal Le
Molle, Yannick
Sound
Artificial Intelligence
Efficiently retrieving specific instrument timbres from audio mixtures remains a challenge in digital music production. This paper introduces a contrastive learning framework for musical instrument retrieval, enabling direct querying of instrument databases using a single model for both single- and multi-instrument sounds. We propose techniques to generate realistic positive/negative pairs of sounds for virtual musical instruments, such as samplers and synthesizers, addressing limitations in common audio data augmentation methods. The first experiment focuses on instrument retrieval from a dataset of 3,884 instruments, using single-instrument audio as input. Contrastive approaches are competitive with previous works based on classification pre-training. The second experiment considers multi-instrument retrieval with a mixture of instruments as audio input. In this case, the proposed contrastive framework outperforms related works, achieving 81.7\% top-1 and 95.7\% top-5 accuracies for three-instrument mixtures.
title Contrastive timbre representations for musical instrument and synthesizer retrieval
topic Sound
Artificial Intelligence
url https://arxiv.org/abs/2509.13285