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Autori principali: Singh, Shubhr, Bhat, Kiran, Riley, Xavier, Resnick, Benjamin, Thickstun, John, De Brouwer, Walter
Natura: Preprint
Pubblicazione: 2025
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Accesso online:https://arxiv.org/abs/2511.05399
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author Singh, Shubhr
Bhat, Kiran
Riley, Xavier
Resnick, Benjamin
Thickstun, John
De Brouwer, Walter
author_facet Singh, Shubhr
Bhat, Kiran
Riley, Xavier
Resnick, Benjamin
Thickstun, John
De Brouwer, Walter
contents The proliferation of distorted, compressed, and manipulated music on modern media platforms like TikTok motivates the development of more robust audio fingerprinting techniques to identify the sources of musical recordings. In this paper, we develop and evaluate new neural audio fingerprinting techniques with the aim of improving their robustness. We make two contributions to neural fingerprinting methodology: (1) we use a pretrained music foundation model as the backbone of the neural architecture and (2) we expand the use of data augmentation to train fingerprinting models under a wide variety of audio manipulations, including time streching, pitch modulation, compression, and filtering. We systematically evaluate our methods in comparison to two state-of-the-art neural fingerprinting models: NAFP and GraFPrint. Results show that fingerprints extracted with music foundation models (e.g., MuQ, MERT) consistently outperform models trained from scratch or pretrained on non-musical audio. Segment-level evaluation further reveals their capability to accurately localize fingerprint matches, an important practical feature for catalog management.
format Preprint
id arxiv_https___arxiv_org_abs_2511_05399
institution arXiv
publishDate 2025
record_format arxiv
spellingShingle Robust Neural Audio Fingerprinting using Music Foundation Models
Singh, Shubhr
Bhat, Kiran
Riley, Xavier
Resnick, Benjamin
Thickstun, John
De Brouwer, Walter
Sound
Artificial Intelligence
The proliferation of distorted, compressed, and manipulated music on modern media platforms like TikTok motivates the development of more robust audio fingerprinting techniques to identify the sources of musical recordings. In this paper, we develop and evaluate new neural audio fingerprinting techniques with the aim of improving their robustness. We make two contributions to neural fingerprinting methodology: (1) we use a pretrained music foundation model as the backbone of the neural architecture and (2) we expand the use of data augmentation to train fingerprinting models under a wide variety of audio manipulations, including time streching, pitch modulation, compression, and filtering. We systematically evaluate our methods in comparison to two state-of-the-art neural fingerprinting models: NAFP and GraFPrint. Results show that fingerprints extracted with music foundation models (e.g., MuQ, MERT) consistently outperform models trained from scratch or pretrained on non-musical audio. Segment-level evaluation further reveals their capability to accurately localize fingerprint matches, an important practical feature for catalog management.
title Robust Neural Audio Fingerprinting using Music Foundation Models
topic Sound
Artificial Intelligence
url https://arxiv.org/abs/2511.05399