A High-Accuracy Optical Music Recognition Method Based on Bottleneck Residual Convolutions
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arXiv
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| Main Authors: | , , , |
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| Format: | Preprint |
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2026
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| _version_ | 1866915943132692480 |
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| author | Ma, Junwen Xue, Huhu Zhao, Xingyuan Fu, and Weicheng |
| author_facet | Ma, Junwen Xue, Huhu Zhao, Xingyuan Fu, and Weicheng |
| contents | Optical Music Recognition (OMR) aims to convert printed or handwritten music score images into editable symbolic representations. This paper presents an end-to-end OMR framework that combines residual bottleneck convolutions with bidirectional gated recurrent unit (BiGRU)-based sequence modeling. A convolutional neural network with ResNet-v2-style residual bottleneck blocks and multi-scale dilated convolutions is used to extract features that encode both fine-grained symbol details and global staff-line structures. The extracted feature sequences are then fed into a BiGRU network to model temporal dependencies among musical symbols. The model is trained using the Connectionist Temporal Classification loss, enabling end-to-end prediction without explicit alignment annotations. Experimental results on the Camera-PrIMuS and PrIMuS datasets demonstrate the effectiveness of the proposed framework. On Camera-PrIMuS, the proposed method achieves a sequence error rate (SeER) of $7.52\%$ and a symbol error rate (SyER) of $0.45\%$, with pitch, type, and note accuracies of $99.33\%$, $99.60\%$, and $99.28\%$, respectively. The average training time is 1.74~s per epoch, demonstrating high computational efficiency while maintaining strong recognition performance. On PrIMuS, the method achieves a SeER of $8.11\%$ and a SyER of $0.49\%$, with pitch, type, and note accuracies of $99.27\%$, $99.58\%$, and $99.21\%$, respectively. A fine-grained error analysis further confirms the effectiveness of the proposed model. |
| format | Preprint |
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arxiv_https___arxiv_org_abs_2604_16446 |
| institution | arXiv |
| publishDate | 2026 |
| record_format | arxiv |
| spellingShingle | A High-Accuracy Optical Music Recognition Method Based on Bottleneck Residual Convolutions Ma, Junwen Xue, Huhu Zhao, Xingyuan Fu, and Weicheng Computer Vision and Pattern Recognition Machine Learning Sound Audio and Speech Processing Optical Music Recognition (OMR) aims to convert printed or handwritten music score images into editable symbolic representations. This paper presents an end-to-end OMR framework that combines residual bottleneck convolutions with bidirectional gated recurrent unit (BiGRU)-based sequence modeling. A convolutional neural network with ResNet-v2-style residual bottleneck blocks and multi-scale dilated convolutions is used to extract features that encode both fine-grained symbol details and global staff-line structures. The extracted feature sequences are then fed into a BiGRU network to model temporal dependencies among musical symbols. The model is trained using the Connectionist Temporal Classification loss, enabling end-to-end prediction without explicit alignment annotations. Experimental results on the Camera-PrIMuS and PrIMuS datasets demonstrate the effectiveness of the proposed framework. On Camera-PrIMuS, the proposed method achieves a sequence error rate (SeER) of $7.52\%$ and a symbol error rate (SyER) of $0.45\%$, with pitch, type, and note accuracies of $99.33\%$, $99.60\%$, and $99.28\%$, respectively. The average training time is 1.74~s per epoch, demonstrating high computational efficiency while maintaining strong recognition performance. On PrIMuS, the method achieves a SeER of $8.11\%$ and a SyER of $0.49\%$, with pitch, type, and note accuracies of $99.27\%$, $99.58\%$, and $99.21\%$, respectively. A fine-grained error analysis further confirms the effectiveness of the proposed model. |
| title | A High-Accuracy Optical Music Recognition Method Based on Bottleneck Residual Convolutions |
| topic | Computer Vision and Pattern Recognition Machine Learning Sound Audio and Speech Processing |
| url | https://arxiv.org/abs/2604.16446 |