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Main Authors: Mallory, Matthew Esmaili, Glickman, Mark, Brown, Jason
Format: Preprint
Published: 2026
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Online Access:https://arxiv.org/abs/2604.22925
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author Mallory, Matthew Esmaili
Glickman, Mark
Brown, Jason
author_facet Mallory, Matthew Esmaili
Glickman, Mark
Brown, Jason
contents Statistical modeling of popular music presents a unique challenge due to the complexity of song structures, which cannot be easily analyzed using conventional statistical tools. However, recent advances in data science have shown that converting non-standard data objects into real vector-valued embeddings enables meaningful statistical analysis. In this work, we demonstrate an approach based on logistic principal component analysis to construct embeddings from global song features, allowing for standard multivariate analysis. We apply this method to a corpus of Lennon and McCartney songs from 1962-1966, using embeddings derived from chords, melodic notes, chord and pitch transitions, and melodic contours. Our analysis explores how these song embeddings cluster by Beatles album, how songwriting styles evolved over time, and whether Lennon and McCartney's compositions exhibited convergence or divergence. This embedding-based approach offers a powerful framework for statistically examining musical structure and stylistic development in popular music.
format Preprint
id arxiv_https___arxiv_org_abs_2604_22925
institution arXiv
publishDate 2026
record_format arxiv
spellingShingle Come Together: Analyzing Popular Songs Through Statistical Embeddings
Mallory, Matthew Esmaili
Glickman, Mark
Brown, Jason
Applications
Sound
Statistical modeling of popular music presents a unique challenge due to the complexity of song structures, which cannot be easily analyzed using conventional statistical tools. However, recent advances in data science have shown that converting non-standard data objects into real vector-valued embeddings enables meaningful statistical analysis. In this work, we demonstrate an approach based on logistic principal component analysis to construct embeddings from global song features, allowing for standard multivariate analysis. We apply this method to a corpus of Lennon and McCartney songs from 1962-1966, using embeddings derived from chords, melodic notes, chord and pitch transitions, and melodic contours. Our analysis explores how these song embeddings cluster by Beatles album, how songwriting styles evolved over time, and whether Lennon and McCartney's compositions exhibited convergence or divergence. This embedding-based approach offers a powerful framework for statistically examining musical structure and stylistic development in popular music.
title Come Together: Analyzing Popular Songs Through Statistical Embeddings
topic Applications
Sound
url https://arxiv.org/abs/2604.22925