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Autori principali: Yang, Xiaoda, Zhang, Majun, Pan, Changhao, Huang, Nick, Yuguang, Yang, Zhuo, Fan, Zhou, Pengfei, Zhou, Jin, Shan, Sizhe, Yang, Shan, Yang, Miles, You, Yang, Zhao, Zhou
Natura: Preprint
Pubblicazione: 2026
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Accesso online:https://arxiv.org/abs/2605.01809
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author Yang, Xiaoda
Zhang, Majun
Pan, Changhao
Huang, Nick
Yuguang, Yang
Zhuo, Fan
Zhou, Pengfei
Zhou, Jin
Shan, Sizhe
Yang, Shan
Yang, Miles
You, Yang
Zhao, Zhou
author_facet Yang, Xiaoda
Zhang, Majun
Pan, Changhao
Huang, Nick
Yuguang, Yang
Zhuo, Fan
Zhou, Pengfei
Zhou, Jin
Shan, Sizhe
Yang, Shan
Yang, Miles
You, Yang
Zhao, Zhou
contents Unified audio-visual generation is rapidly gaining industrial and creative relevance, enabling applications in virtual production and interactive media. However, when moving from general audio-video synthesis to music-dance co-generation, the task becomes substantially harder: musical rhythm, phrasing, and accents must drive choreographic motion at fine temporal resolution, and such rhythmic coupling is not captured by unimodal metrics or generic audiovisual consistency scores used in current evaluation practice. We introduce TMD-Bench, a benchmark for text-driven music-dance co-generation that assesses systems across unimodal generation quality, instruction adherence, and cross-modal rhythmic alignment. The benchmark integrates computable physical metrics with perceptual multimodal judgments, and is supported by a curated rhythm-aligned music-dance dataset and a fine-grained Music Captioner for structured music semantics. TMD-Bench further reveals that (i) modern commercial audio-visual models, such as Veo 3 and Sora 2, produce high-quality music and video, while rhythmic coupling remains less consistently optimized and leaves room for improvement, and (ii) our unified baseline RhyJAM trained on rhythm-aligned data achieves competitive beat-level synchronization while maintaining competitive unimodal fidelity. This presents prospects for building next-generation music-dance models that explicitly optimize rhythmic and kinetic coherence.
format Preprint
id arxiv_https___arxiv_org_abs_2605_01809
institution arXiv
publishDate 2026
record_format arxiv
spellingShingle TMD-Bench: A Multi-Level Evaluation Paradigm for Music-Dance Co-Generation
Yang, Xiaoda
Zhang, Majun
Pan, Changhao
Huang, Nick
Yuguang, Yang
Zhuo, Fan
Zhou, Pengfei
Zhou, Jin
Shan, Sizhe
Yang, Shan
Yang, Miles
You, Yang
Zhao, Zhou
Sound
Artificial Intelligence
Unified audio-visual generation is rapidly gaining industrial and creative relevance, enabling applications in virtual production and interactive media. However, when moving from general audio-video synthesis to music-dance co-generation, the task becomes substantially harder: musical rhythm, phrasing, and accents must drive choreographic motion at fine temporal resolution, and such rhythmic coupling is not captured by unimodal metrics or generic audiovisual consistency scores used in current evaluation practice. We introduce TMD-Bench, a benchmark for text-driven music-dance co-generation that assesses systems across unimodal generation quality, instruction adherence, and cross-modal rhythmic alignment. The benchmark integrates computable physical metrics with perceptual multimodal judgments, and is supported by a curated rhythm-aligned music-dance dataset and a fine-grained Music Captioner for structured music semantics. TMD-Bench further reveals that (i) modern commercial audio-visual models, such as Veo 3 and Sora 2, produce high-quality music and video, while rhythmic coupling remains less consistently optimized and leaves room for improvement, and (ii) our unified baseline RhyJAM trained on rhythm-aligned data achieves competitive beat-level synchronization while maintaining competitive unimodal fidelity. This presents prospects for building next-generation music-dance models that explicitly optimize rhythmic and kinetic coherence.
title TMD-Bench: A Multi-Level Evaluation Paradigm for Music-Dance Co-Generation
topic Sound
Artificial Intelligence
url https://arxiv.org/abs/2605.01809