Same View, Different Visions -- Visual Nature Content on Social Media
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arXiv
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| Autori principali: | , , |
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| Natura: | Preprint |
| Pubblicazione: |
2026
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| _version_ | 1866917527784783872 |
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| author | Allen, Oliver Mel Langemeyer, Johannes Soleymani-Fard, Ramin |
| author_facet | Allen, Oliver Mel Langemeyer, Johannes Soleymani-Fard, Ramin |
| contents | Digital nature values formed through online interactions with nature might incentivize new types of environmental stewardship, but these values may also be appropriated by those who seek to undermine sustainable transformation, such as right-wing populist movements and fossil fuel industries. Specific aesthetics and visual cultures may be appropriated, borrowing their credibility or influence, and layers of platform affordances, internet cultures, and norms add additional complexities to visual communication of nature on social media. Research on this phenomenon is especially important as generative AI tools for photos and video are made readily available to social media users and far-right political ecology is rapidly evolving. In this ongoing work we ask the following research question: What is the current state of visual nature aesthetics on social media? Hereby, we follow the hypothesis that nature aesthetics are increasingly appropriated to uphold the status quo and potentially push ideologies countering transformative change. The proposed study includes three parts which strategically combine natural language processing, image clustering, and networked discourse analysis to illuminate the intersection of online aesthetic appropriation, nature values, and political ecology. |
| format | Preprint |
| id |
arxiv_https___arxiv_org_abs_2605_24493 |
| institution | arXiv |
| publishDate | 2026 |
| record_format | arxiv |
| spellingShingle | Same View, Different Visions -- Visual Nature Content on Social Media Allen, Oliver Mel Langemeyer, Johannes Soleymani-Fard, Ramin Social and Information Networks Digital nature values formed through online interactions with nature might incentivize new types of environmental stewardship, but these values may also be appropriated by those who seek to undermine sustainable transformation, such as right-wing populist movements and fossil fuel industries. Specific aesthetics and visual cultures may be appropriated, borrowing their credibility or influence, and layers of platform affordances, internet cultures, and norms add additional complexities to visual communication of nature on social media. Research on this phenomenon is especially important as generative AI tools for photos and video are made readily available to social media users and far-right political ecology is rapidly evolving. In this ongoing work we ask the following research question: What is the current state of visual nature aesthetics on social media? Hereby, we follow the hypothesis that nature aesthetics are increasingly appropriated to uphold the status quo and potentially push ideologies countering transformative change. The proposed study includes three parts which strategically combine natural language processing, image clustering, and networked discourse analysis to illuminate the intersection of online aesthetic appropriation, nature values, and political ecology. |
| title | Same View, Different Visions -- Visual Nature Content on Social Media |
| topic | Social and Information Networks |
| url | https://arxiv.org/abs/2605.24493 |