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Bibliographic Details
Main Author: Besek, June M.
Format: Recurso educativo Open Access
Language:en
Published: 2009
Subjects:
Online Access:https://eric.ed.gov/?id=ED509213
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author Besek, June M.
author_facet Besek, June M.
Besek, June M.
collection Education Resources Information Center
contents Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives. CLIR Publication No. 144 Besek, June M. Audio Equipment Time Perspective Preservation Archives Library Services Library Materials Legal Responsibility Libraries Copyrights Ownership Crime Laws Publicity Media Adaptation This report addresses the question of what libraries and archives are legally empowered to do to preserve and make accessible for research their holdings of unpublished pre-1972 sound recordings. The report's author, June M. Besek, is executive director of the Kernochan Center for Law, Media and the Arts at Columbia Law School. Unpublished sound recordings are those created for private use, or even for broadcast, but that have not been distributed to the public in copies with the right holder's consent. Examples include tapes of live musical performances or of interviews conducted as part of field research or news gathering. Such recordings may find their way into library and archive collections through donations or purchase. Some may be the only record of a particular performance or event, and therefore may have considerable cultural and historical significance. The rights for use of unpublished recordings are distinct from those for use of commercial sound recordings, which are made with the authorization of rights holders and are intended for reproduction and sale to the public. Using examples of specific types of sound recordings, the Besek study (1) describes the different bodies of law that protect pre-1972 sound recordings, (2) explains the difficulty in defining the precise contours of the law, and (3) provides guidance for libraries evaluating their activities with respect to unpublished pre-1972 sound recordings. Appendices include: (1) State Criminal Laws; (2) Some Statutes Concerning Rights of Publicity; and (3) State Civil Law Concerning Pre-1972 Sound Recordings. (Contains 47 footnotes.) [Funding for this paper was provided by the Library of Congress' National Recording Preservation Board. For "Protection for Pre-1972 Sound Recordings under State Law and Its Impact on Use by Nonprofit Institutions: A 10-State Analysis. CLIR Publication No. 146," see ED509214. For "Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives. CLIR Publication No. 135," see ED509330.]
format Recurso educativo Open Access
id eric_ED509213
institution ERIC Institute of Education Sciences
language en
publishDate 2009
record_format eric
spellingShingle Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives. CLIR Publication No. 144
Besek, June M.
Audio Equipment
Time Perspective
Preservation
Archives
Library Services
Library Materials
Legal Responsibility
Libraries
Copyrights
Ownership
Crime
Laws
Publicity
Media Adaptation
Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives. CLIR Publication No. 144 Besek, June M. Audio Equipment Time Perspective Preservation Archives Library Services Library Materials Legal Responsibility Libraries Copyrights Ownership Crime Laws Publicity Media Adaptation This report addresses the question of what libraries and archives are legally empowered to do to preserve and make accessible for research their holdings of unpublished pre-1972 sound recordings. The report's author, June M. Besek, is executive director of the Kernochan Center for Law, Media and the Arts at Columbia Law School. Unpublished sound recordings are those created for private use, or even for broadcast, but that have not been distributed to the public in copies with the right holder's consent. Examples include tapes of live musical performances or of interviews conducted as part of field research or news gathering. Such recordings may find their way into library and archive collections through donations or purchase. Some may be the only record of a particular performance or event, and therefore may have considerable cultural and historical significance. The rights for use of unpublished recordings are distinct from those for use of commercial sound recordings, which are made with the authorization of rights holders and are intended for reproduction and sale to the public. Using examples of specific types of sound recordings, the Besek study (1) describes the different bodies of law that protect pre-1972 sound recordings, (2) explains the difficulty in defining the precise contours of the law, and (3) provides guidance for libraries evaluating their activities with respect to unpublished pre-1972 sound recordings. Appendices include: (1) State Criminal Laws; (2) Some Statutes Concerning Rights of Publicity; and (3) State Civil Law Concerning Pre-1972 Sound Recordings. (Contains 47 footnotes.) [Funding for this paper was provided by the Library of Congress' National Recording Preservation Board. For "Protection for Pre-1972 Sound Recordings under State Law and Its Impact on Use by Nonprofit Institutions: A 10-State Analysis. CLIR Publication No. 146," see ED509214. For "Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives. CLIR Publication No. 135," see ED509330.]
title Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives. CLIR Publication No. 144
topic Audio Equipment
Time Perspective
Preservation
Archives
Library Services
Library Materials
Legal Responsibility
Libraries
Copyrights
Ownership
Crime
Laws
Publicity
Media Adaptation
url https://eric.ed.gov/?id=ED509213