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Autore principale: Vinicius Mariano de Carvalho
Natura: Artículo científico
Lingua:pt
Pubblicazione: Aarhus Universitet 2009
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Accesso online:https://www.redalyc.org/articulo.oa?id=16212429006
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author Vinicius Mariano de Carvalho
author_facet Vinicius Mariano de Carvalho
contents Aspectos da música na liturgia católica na América Latina do Vaticano II aos dias atuais Do "canto do povo de Deus" ao "som da massa" Vinicius Mariano de Carvalho Estudios Culturales pop culture ethnomusicology neopentecostalism modernism in music Theology of liberation This paper provides a brief overview of the origins of ethno-liturgical compositions and the scope of this aesthetic of music in the church, especially stressing their link to the concept of acculturation of the Theology of Liberation. The paper then extends the discussion, pointing out what the musical-aesthetic ideas of this movement are, and why it is linked to the Theology of Liberation. The main point noted in this paper is concerned with the possible theological, pastoral and aesthetics reasons for its development and subsequent decline. Finally, the paper reflects on the Pop phenomenon and its influence on ecclesiology and liturgical music, leading to some conclusive points on the character of an acculturated liturgical music in a church increasingly marked by a Pop culture. The question posed by the paper is: What are the pastoral and musical consequences of this influence? 2009 artículo científico 1600-0110 https://www.redalyc.org/articulo.oa?id=16212429006 pt http://www.redalyc.org/revista.oa?id=162 Diálogos Latinoamericanos application/pdf Aarhus Universitet Diálogos Latinoamericanos (Dinamarca) Num.16
format Artículo científico
id redalyc_16212429006
language pt
publishDate 2009
publisher Aarhus Universitet
spellingShingle Aspectos da música na liturgia católica na América Latina do Vaticano II aos dias atuais Do "canto do povo de Deus" ao "som da massa"
Vinicius Mariano de Carvalho
Estudios Culturales
pop culture
ethnomusicology
neopentecostalism
modernism in music
Theology of liberation
Aspectos da música na liturgia católica na América Latina do Vaticano II aos dias atuais Do "canto do povo de Deus" ao "som da massa" Vinicius Mariano de Carvalho Estudios Culturales pop culture ethnomusicology neopentecostalism modernism in music Theology of liberation This paper provides a brief overview of the origins of ethno-liturgical compositions and the scope of this aesthetic of music in the church, especially stressing their link to the concept of acculturation of the Theology of Liberation. The paper then extends the discussion, pointing out what the musical-aesthetic ideas of this movement are, and why it is linked to the Theology of Liberation. The main point noted in this paper is concerned with the possible theological, pastoral and aesthetics reasons for its development and subsequent decline. Finally, the paper reflects on the Pop phenomenon and its influence on ecclesiology and liturgical music, leading to some conclusive points on the character of an acculturated liturgical music in a church increasingly marked by a Pop culture. The question posed by the paper is: What are the pastoral and musical consequences of this influence? 2009 artículo científico 1600-0110 https://www.redalyc.org/articulo.oa?id=16212429006 pt http://www.redalyc.org/revista.oa?id=162 Diálogos Latinoamericanos application/pdf Aarhus Universitet Diálogos Latinoamericanos (Dinamarca) Num.16
title Aspectos da música na liturgia católica na América Latina do Vaticano II aos dias atuais Do "canto do povo de Deus" ao "som da massa"
topic Estudios Culturales
pop culture
ethnomusicology
neopentecostalism
modernism in music
Theology of liberation
url https://www.redalyc.org/articulo.oa?id=16212429006