Miguel A. Yáñez Polo, fotosurrealista metafísico
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| Natura: | Artículo científico |
| Lingua: | en |
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Universidad de Sevilla
2002
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| _version_ | 1876422919970619392 |
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| author | Miguel B. Márquez |
| author_facet | Miguel B. Márquez |
| contents | Miguel A. Yáñez Polo, fotosurrealista metafísico Miguel B. Márquez Comunicación Art art Fantastic Aesthetic Surrealism The author analizes the photographic work of Miguel A. Yáñez Polo, one of the most important spanish photosurrealists at this moment. After a brief introduction, who explains the basic characteristics of the surrealist movement, the author describes personal characteristics at the photographic work of Yáñez Polo: the obtaining of the fantastic symptom, his photographics technics, his constant reference to death, the ominous birds, the humour, the iconographic barrochism and his metaphysicals raisings. This article is ended with an approach to the lastfrench aesthetics currents, whose members consider Yáñez as a representative of non-photographie movement. 2002 artículo científico 1139-1979 https://www.redalyc.org/articulo.oa?id=16800820 en http://www.redalyc.org/revista.oa?id=168 Ámbitos. Revista Internacional de Comunicación application/pdf Universidad de Sevilla Ámbitos. Revista Internacional de Comunicación (España) Num.8 |
| format | Artículo científico |
| id | redalyc_16800820 |
| institution | Redalyc |
| language | en |
| publishDate | 2002 |
| publisher | Universidad de Sevilla |
| spellingShingle | Miguel A. Yáñez Polo, fotosurrealista metafísico Miguel B. Márquez Comunicación Art art Fantastic Aesthetic Surrealism Miguel A. Yáñez Polo, fotosurrealista metafísico Miguel B. Márquez Comunicación Art art Fantastic Aesthetic Surrealism The author analizes the photographic work of Miguel A. Yáñez Polo, one of the most important spanish photosurrealists at this moment. After a brief introduction, who explains the basic characteristics of the surrealist movement, the author describes personal characteristics at the photographic work of Yáñez Polo: the obtaining of the fantastic symptom, his photographics technics, his constant reference to death, the ominous birds, the humour, the iconographic barrochism and his metaphysicals raisings. This article is ended with an approach to the lastfrench aesthetics currents, whose members consider Yáñez as a representative of non-photographie movement. 2002 artículo científico 1139-1979 https://www.redalyc.org/articulo.oa?id=16800820 en http://www.redalyc.org/revista.oa?id=168 Ámbitos. Revista Internacional de Comunicación application/pdf Universidad de Sevilla Ámbitos. Revista Internacional de Comunicación (España) Num.8 |
| title | Miguel A. Yáñez Polo, fotosurrealista metafísico |
| topic | Comunicación Art art Fantastic Aesthetic Surrealism |
| url | https://www.redalyc.org/articulo.oa?id=16800820 |