TRADICION Y RUPTURA EN LA CUENTISTICA DE RA PEREZ

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Main Author: Maria Laura Busquets
Format: Artículo científico
Language:en
Published: Universidad Nacional de Jujuy 2001
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author Maria Laura Busquets
author_facet Maria Laura Busquets
contents TRADICION Y RUPTURA EN LA CUENTISTICA DE RA PEREZ Maria Laura Busquets Estudios Culturales Since 1960, the inner country literature has progressively changed. The aesthetics of costums has surpassed the regionalism of picturesque descriptions to introduce too late the question of language characteristic of vanguard literature. This change has gradually appeared in brief narrativa of Tucumán. According to the analysis of strategies of discourse and circunstances of production, I?ll try to demonstrate (that is the objective of this little essay) that Ramón A. Pérez narrative is in a transition stage, due to the following reasons: In one hand and because of his pessimist world-vision, this writer has given up the pintoresque tradition in favour of existencial topics. He has obsessively interested in the problems of being human, specially lonelinnes and incommunication.In the other, little by little, his writing has turned about itself -that is ?autoconscious?-, as a result of a distressing reality, but it has not became absolutely metadiscursive and critical (characteristics belonging to Latinamerican post- boom Vanguard). 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501604 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.16
format Artículo científico
id redalyc_18501604
institution Redalyc
language en
publishDate 2001
publisher Universidad Nacional de Jujuy
spellingShingle TRADICION Y RUPTURA EN LA CUENTISTICA DE RA PEREZ
Maria Laura Busquets
Estudios Culturales
TRADICION Y RUPTURA EN LA CUENTISTICA DE RA PEREZ Maria Laura Busquets Estudios Culturales Since 1960, the inner country literature has progressively changed. The aesthetics of costums has surpassed the regionalism of picturesque descriptions to introduce too late the question of language characteristic of vanguard literature. This change has gradually appeared in brief narrativa of Tucumán. According to the analysis of strategies of discourse and circunstances of production, I?ll try to demonstrate (that is the objective of this little essay) that Ramón A. Pérez narrative is in a transition stage, due to the following reasons: In one hand and because of his pessimist world-vision, this writer has given up the pintoresque tradition in favour of existencial topics. He has obsessively interested in the problems of being human, specially lonelinnes and incommunication.In the other, little by little, his writing has turned about itself -that is ?autoconscious?-, as a result of a distressing reality, but it has not became absolutely metadiscursive and critical (characteristics belonging to Latinamerican post- boom Vanguard). 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501604 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.16
title TRADICION Y RUPTURA EN LA CUENTISTICA DE RA PEREZ
topic Estudios Culturales
url https://www.redalyc.org/articulo.oa?id=18501604