EL ARTE DE AMAR DE OVIDIO: UNA LECTURA SOCIOCRITICA
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| Format: | Artículo científico |
| Language: | en |
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Universidad Nacional de Jujuy
2001
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| _version_ | 1876450481957502976 |
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| author | Patricia Alejandra Calvelo |
| author_facet | Patricia Alejandra Calvelo |
| contents | EL ARTE DE AMAR DE OVIDIO: UNA LECTURA SOCIOCRITICA Patricia Alejandra Calvelo Estudios Culturales In the present work, that is fitted within the general frame of the Studies of Sort, I carry out a reading of love the Ars poem of Publio Ovid Nasón (s. I a.C.) using the contributions of the Sociocrítica, and I make a boarding of the text from the methodology of the Semiótica of statements. To the effects of the analysis that I carry out in these pages, the Sociocrítica contributes the fundamental approach. This theoretical field sets out to discover how the social thing in texts registers. Said of other words, its purpose consists of the search of the forms of joint between two systems: textual and the social one. In this study in individual, I set out to recognize ideologemas present in the mentioned ovidiano poem. For it, I follow the concept of ideologema of Edmond Cros, that defines it as a ?semio?tico-ideological microsystem that sublies in a functional and significant unit of the speech? (lexía). The components of this microsystem are semas and the social values, that fluctuate according to thehistorical circumstances. Two hypotheses - first, of theoretical nature, and second, of methodologicorder they guide my work: 1. In love Ars of Ovid, the words dominate (that normally had to make reference to the ?owner?, the Roman housewife) and virtus constitutes ideologemas inasmuch as they work like enunciation places in where new semantic contents and social values are generated and found, establishing therefore the historical-social coordinates of the text. 2. Ideologemas can identify by means of the contextual definitions, instrument forged by the Semiótica de Enunciados.The methodology of the Semiótica de Enunciados contributes to a series of analytical operations that work indeed on the saying, which allows to recover the positive meaning which they are attributed to the terms based on the material context and in that they appear. The conclusions to which arrival allows me to confirm that it is the indicated methodology to recognize ideologemas. The main contribution of my work resides, then, in verifying the effectiveness of the instruments of analysis of the Semiótica of statements to approach investigations from a sociocrítico point of view. 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501605 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.16 |
| format | Artículo científico |
| id | redalyc_18501605 |
| institution | Redalyc |
| language | en |
| publishDate | 2001 |
| publisher | Universidad Nacional de Jujuy |
| spellingShingle | EL ARTE DE AMAR DE OVIDIO: UNA LECTURA SOCIOCRITICA Patricia Alejandra Calvelo Estudios Culturales EL ARTE DE AMAR DE OVIDIO: UNA LECTURA SOCIOCRITICA Patricia Alejandra Calvelo Estudios Culturales In the present work, that is fitted within the general frame of the Studies of Sort, I carry out a reading of love the Ars poem of Publio Ovid Nasón (s. I a.C.) using the contributions of the Sociocrítica, and I make a boarding of the text from the methodology of the Semiótica of statements. To the effects of the analysis that I carry out in these pages, the Sociocrítica contributes the fundamental approach. This theoretical field sets out to discover how the social thing in texts registers. Said of other words, its purpose consists of the search of the forms of joint between two systems: textual and the social one. In this study in individual, I set out to recognize ideologemas present in the mentioned ovidiano poem. For it, I follow the concept of ideologema of Edmond Cros, that defines it as a ?semio?tico-ideological microsystem that sublies in a functional and significant unit of the speech? (lexía). The components of this microsystem are semas and the social values, that fluctuate according to thehistorical circumstances. Two hypotheses - first, of theoretical nature, and second, of methodologicorder they guide my work: 1. In love Ars of Ovid, the words dominate (that normally had to make reference to the ?owner?, the Roman housewife) and virtus constitutes ideologemas inasmuch as they work like enunciation places in where new semantic contents and social values are generated and found, establishing therefore the historical-social coordinates of the text. 2. Ideologemas can identify by means of the contextual definitions, instrument forged by the Semiótica de Enunciados.The methodology of the Semiótica de Enunciados contributes to a series of analytical operations that work indeed on the saying, which allows to recover the positive meaning which they are attributed to the terms based on the material context and in that they appear. The conclusions to which arrival allows me to confirm that it is the indicated methodology to recognize ideologemas. The main contribution of my work resides, then, in verifying the effectiveness of the instruments of analysis of the Semiótica of statements to approach investigations from a sociocrítico point of view. 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501605 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.16 |
| title | EL ARTE DE AMAR DE OVIDIO: UNA LECTURA SOCIOCRITICA |
| topic | Estudios Culturales |
| url | https://www.redalyc.org/articulo.oa?id=18501605 |