REPETICION Y DEFERENCIA EN LAS TRAMPAS DEL AZAR DE ANTONIO BUERO VALLEJO

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Auteur principal: Marcela Beatriz Sosa
Format: Artículo científico
Langue:en
Publié: Universidad Nacional de Jujuy 2001
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author Marcela Beatriz Sosa
author_facet Marcela Beatriz Sosa
contents REPETICION Y DEFERENCIA EN LAS TRAMPAS DEL AZAR DE ANTONIO BUERO VALLEJO Marcela Beatriz Sosa Estudios Culturales The work about Antonio Buero Vallejo?s dramatic production (Project N0593 - CIUNSa) has corroborated the presence of some recurrent isotopic lines: fate, truth, man?s responsibility on his acts, physical defects as essential limitations, tension between active characters and passive characters? The appearance of the last known text of the dramatist, Las trampas del azar, seems a return to the realistic esthetic that he left since his first text, Historia de una escalera. There?s achronological link joining the crossed history of two generations in both texts. We?ll try to make a semiotic lecture to show the meaning of the generational isotopic repetition in Las trampas del azar, as well as its relationship with the notions of fate and casualty. Simultaneously, we?ll investigate the connections of these terms with the significant universe of Buero Vallejo?s dramatic production, to know if they modify or not the ?construction? tragedy previously developed by the author. 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501617 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.16
format Artículo científico
id redalyc_18501617
institution Redalyc
language en
publishDate 2001
publisher Universidad Nacional de Jujuy
spellingShingle REPETICION Y DEFERENCIA EN LAS TRAMPAS DEL AZAR DE ANTONIO BUERO VALLEJO
Marcela Beatriz Sosa
Estudios Culturales
REPETICION Y DEFERENCIA EN LAS TRAMPAS DEL AZAR DE ANTONIO BUERO VALLEJO Marcela Beatriz Sosa Estudios Culturales The work about Antonio Buero Vallejo?s dramatic production (Project N0593 - CIUNSa) has corroborated the presence of some recurrent isotopic lines: fate, truth, man?s responsibility on his acts, physical defects as essential limitations, tension between active characters and passive characters? The appearance of the last known text of the dramatist, Las trampas del azar, seems a return to the realistic esthetic that he left since his first text, Historia de una escalera. There?s achronological link joining the crossed history of two generations in both texts. We?ll try to make a semiotic lecture to show the meaning of the generational isotopic repetition in Las trampas del azar, as well as its relationship with the notions of fate and casualty. Simultaneously, we?ll investigate the connections of these terms with the significant universe of Buero Vallejo?s dramatic production, to know if they modify or not the ?construction? tragedy previously developed by the author. 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501617 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.16
title REPETICION Y DEFERENCIA EN LAS TRAMPAS DEL AZAR DE ANTONIO BUERO VALLEJO
topic Estudios Culturales
url https://www.redalyc.org/articulo.oa?id=18501617