LA(S) SEMIOTICA(S) DE LA IMAGEN VISUAL

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Autor principal: Juan Magariños de Morentin
Formato: Artículo científico
Lenguaje:en
Publicado: Universidad Nacional de Jujuy 2001
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author Juan Magariños de Morentin
author_facet Juan Magariños de Morentin
contents LA(S) SEMIOTICA(S) DE LA IMAGEN VISUAL Juan Magariños de Morentin Estudios Culturales Most problems that affect the Semiotic Study of the visual images is originated with the pretension of giving an account of its variety from a unique point of view. However, the different mental operating that are required to identify them, recognize and interpret them, being them, perceptual, visual or mainly qualitative, figurative, or normative propositions, as it habitually is, that integrate in different propositions these three aspects, demand a specific treatment for each case. In this sense, without being subject to a dogmatic exegesis, this paper explores, from Peirce triad: iconic qualisings, iconic sinsigns, and iconic legisings, and of the contemporary cognitive research, specially D. Marr´s vision theory, the differencial, and necessary fundaments for a rigorous study of the construction of meaning theory of these a three great sets of material images. 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501717 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.17
format Artículo científico
id redalyc_18501717
institution Redalyc
language en
publishDate 2001
publisher Universidad Nacional de Jujuy
spellingShingle LA(S) SEMIOTICA(S) DE LA IMAGEN VISUAL
Juan Magariños de Morentin
Estudios Culturales
LA(S) SEMIOTICA(S) DE LA IMAGEN VISUAL Juan Magariños de Morentin Estudios Culturales Most problems that affect the Semiotic Study of the visual images is originated with the pretension of giving an account of its variety from a unique point of view. However, the different mental operating that are required to identify them, recognize and interpret them, being them, perceptual, visual or mainly qualitative, figurative, or normative propositions, as it habitually is, that integrate in different propositions these three aspects, demand a specific treatment for each case. In this sense, without being subject to a dogmatic exegesis, this paper explores, from Peirce triad: iconic qualisings, iconic sinsigns, and iconic legisings, and of the contemporary cognitive research, specially D. Marr´s vision theory, the differencial, and necessary fundaments for a rigorous study of the construction of meaning theory of these a three great sets of material images. 2001 artículo científico 0327-1471 https://www.redalyc.org/articulo.oa?id=18501717 en http://www.redalyc.org/revista.oa?id=185 Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy application/pdf Universidad Nacional de Jujuy Cuadernos de la Facultad de Humanidades y Ciencias Sociales - Universidad Nacional de Jujuy (Argentina) Num.17
title LA(S) SEMIOTICA(S) DE LA IMAGEN VISUAL
topic Estudios Culturales
url https://www.redalyc.org/articulo.oa?id=18501717