La telenovela y el paradigma de la producción nacional: revisitando el modo brasileño de hacer televisión
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| Format: | Artículo científico |
| Sprache: | es |
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Pontificia Universidad Católica del Ecuador
2025
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| _version_ | 1876431598042218496 |
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| author | Maria Aparecida Borges Limeira |
| author_facet | Maria Aparecida Borges Limeira |
| contents | La telenovela y el paradigma de la producción nacional: revisitando el modo brasileño de hacer televisión Maria Aparecida Borges Limeira Valquiria Aparecida Passos Kneipp Comunicación communication televisualities serialized fiction Brazilian telenovela Brazilian telenovelas present the vicissitudes of the national territory and outline the country’s way of doing teledramaturgy. This study aims to discuss the development of the Brazilian telenovelas narrative over the years, using Globo’s TV trajectory with the product as its empirical object. The research examines the practice and conception of the Brazilian telenovelas over the decades, with Globo TV as an essential element of national market and narrative recognition. Descriptive and exploratory bibliographic analysis was used to interweave the telenovelas plots with the country’s socio-cultural perspectives of the product. The theoretical basis is on Hamburger (2005), Alencar (2004), Balogh (2002), Lopes (2003; 2014), Mazziotti (2006), and Mittell (2012). In this way, the progression of the narratives of national productions can be observed by characterizing the particularities in the act of telling a plot, which identifies the stylistic character of Brazilian telenovelas from the perspective of Brazil’s television carpentry. This trajectory explains the transformations of the narratives, the possibilities of ruptures over the decades, the production logics in congruence with the derivations of serialized fiction and the cultural proximities between Latin American countries and their respective televisualities. Therefore, Brazilian teledramaturgy is constantly changing and Globo’s TV way of doing things represents the recognition of Brazilian teledramaturgy in a global context. 2025 artículo científico 1605-4806 https://www.redalyc.org/articulo.oa?id=199582404005 https://www.redalyc.org/journal/1995/199582404005/ https://www.redalyc.org/journal/1995/199582404005/html/ https://www.redalyc.org/journal/1995/199582404005/199582404005.epub https://www.redalyc.org/journal/1995/199582404005/movil 10.26807/rp.v29i122.2203 es http://www.redalyc.org/revista.oa?id=1995 Razón y Palabra application/pdf Pontificia Universidad Católica del Ecuador Razón y Palabra (Ecuador) Num.122 Vol.29 |
| format | Artículo científico |
| id | redalyc_199582404005 |
| institution | Redalyc |
| language | es |
| publishDate | 2025 |
| publisher | Pontificia Universidad Católica del Ecuador |
| spellingShingle | La telenovela y el paradigma de la producción nacional: revisitando el modo brasileño de hacer televisión Maria Aparecida Borges Limeira Comunicación communication televisualities serialized fiction Brazilian telenovela La telenovela y el paradigma de la producción nacional: revisitando el modo brasileño de hacer televisión Maria Aparecida Borges Limeira Valquiria Aparecida Passos Kneipp Comunicación communication televisualities serialized fiction Brazilian telenovela Brazilian telenovelas present the vicissitudes of the national territory and outline the country’s way of doing teledramaturgy. This study aims to discuss the development of the Brazilian telenovelas narrative over the years, using Globo’s TV trajectory with the product as its empirical object. The research examines the practice and conception of the Brazilian telenovelas over the decades, with Globo TV as an essential element of national market and narrative recognition. Descriptive and exploratory bibliographic analysis was used to interweave the telenovelas plots with the country’s socio-cultural perspectives of the product. The theoretical basis is on Hamburger (2005), Alencar (2004), Balogh (2002), Lopes (2003; 2014), Mazziotti (2006), and Mittell (2012). In this way, the progression of the narratives of national productions can be observed by characterizing the particularities in the act of telling a plot, which identifies the stylistic character of Brazilian telenovelas from the perspective of Brazil’s television carpentry. This trajectory explains the transformations of the narratives, the possibilities of ruptures over the decades, the production logics in congruence with the derivations of serialized fiction and the cultural proximities between Latin American countries and their respective televisualities. Therefore, Brazilian teledramaturgy is constantly changing and Globo’s TV way of doing things represents the recognition of Brazilian teledramaturgy in a global context. 2025 artículo científico 1605-4806 https://www.redalyc.org/articulo.oa?id=199582404005 https://www.redalyc.org/journal/1995/199582404005/ https://www.redalyc.org/journal/1995/199582404005/html/ https://www.redalyc.org/journal/1995/199582404005/199582404005.epub https://www.redalyc.org/journal/1995/199582404005/movil 10.26807/rp.v29i122.2203 es http://www.redalyc.org/revista.oa?id=1995 Razón y Palabra application/pdf Pontificia Universidad Católica del Ecuador Razón y Palabra (Ecuador) Num.122 Vol.29 |
| title | La telenovela y el paradigma de la producción nacional: revisitando el modo brasileño de hacer televisión |
| topic | Comunicación communication televisualities serialized fiction Brazilian telenovela |
| url | https://www.redalyc.org/articulo.oa?id=199582404005 https://www.redalyc.org/journal/1995/199582404005/ https://www.redalyc.org/journal/1995/199582404005/html/ https://www.redalyc.org/journal/1995/199582404005/199582404005.epub https://www.redalyc.org/journal/1995/199582404005/movil |