Dalit women life-narratives and literature as experience

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Main Author: Cielo Griselda Festino
Format: Artículo científico
Language:en
Published: Universidade Estadual de Maringá 2015
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author Cielo Griselda Festino
author_facet Cielo Griselda Festino
contents Dalit women life-narratives and literature as experience Cielo Griselda Festino Lengua y Literatura life Dalit narratives aesthetics Jacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literature to turn experience into life-narratives that will eventually give rise to a differentiated kind of social experience (SMITH; WATSON, 2010), through the reading of the novel Sangati (1994) by the Indian Dalit writer Bama. In order to make visible the experiences of the Dalit women, Bama rewrites the genre autobiography, as understood in the West, since in her narrative the voice of the community imposes itself upon the voice of the individual. In so doing, she changes the quality and style of canonical narratives considered as literary so that they will accommodate the stories of silenced people articulated through a differentiated kind of aesthetics. 2015 artículo científico 1983-4675 https://www.redalyc.org/articulo.oa?id=307437749005 en http://www.redalyc.org/revista.oa?id=3074 Acta Scientiarum. Language and Culture application/pdf Universidade Estadual de Maringá Acta Scientiarum. Language and Culture (Brasil) Num.1 Vol.37
format Artículo científico
id redalyc_307437749005
institution Redalyc
language en
publishDate 2015
publisher Universidade Estadual de Maringá
spellingShingle Dalit women life-narratives and literature as experience
Cielo Griselda Festino
Lengua y Literatura
life
Dalit
narratives
aesthetics
Dalit women life-narratives and literature as experience Cielo Griselda Festino Lengua y Literatura life Dalit narratives aesthetics Jacques Ranciere (2011, p. 53) observes that rather than create works of art, contemporary artists want to get out of the museum “[...] and induce alterations in the space of everyday life, generating new forms of relations”. In this context, the aim of this paper is to discuss the power of literature to turn experience into life-narratives that will eventually give rise to a differentiated kind of social experience (SMITH; WATSON, 2010), through the reading of the novel Sangati (1994) by the Indian Dalit writer Bama. In order to make visible the experiences of the Dalit women, Bama rewrites the genre autobiography, as understood in the West, since in her narrative the voice of the community imposes itself upon the voice of the individual. In so doing, she changes the quality and style of canonical narratives considered as literary so that they will accommodate the stories of silenced people articulated through a differentiated kind of aesthetics. 2015 artículo científico 1983-4675 https://www.redalyc.org/articulo.oa?id=307437749005 en http://www.redalyc.org/revista.oa?id=3074 Acta Scientiarum. Language and Culture application/pdf Universidade Estadual de Maringá Acta Scientiarum. Language and Culture (Brasil) Num.1 Vol.37
title Dalit women life-narratives and literature as experience
topic Lengua y Literatura
life
Dalit
narratives
aesthetics
url https://www.redalyc.org/articulo.oa?id=307437749005