The Opus Dei of violence in Augusto Matraga
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| Format: | Artículo científico |
| Sprache: | en |
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Universidade Estadual de Maringá
2015
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| _version_ | 1876489990054084608 |
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| author | João Batista Pereira |
| author_facet | João Batista Pereira |
| contents | The Opus Dei of violence in Augusto Matraga João Batista Pereira Lengua y Literatura violence Guimarães Rosa Benjamin’s allegory The experiences experienced by men in modernity transform literary narratives, thematically and formally, establishing the aim to use allegory as an explanatory stage of that new reality. In the book The Origin of German Tragic Drama, by Walter Benjamin, he conceives allegory as the revelation of a hidden truth that does not represent things just as they are, but provides a version of how they were or might have been. As a reflection of the principles implied in that reading, this paper takes Benjamin’s allegory as an analytical category aiming at identifying the representation of violence in the short story A hora e a vez de Augusto Matraga (The Hour and Turn of Augusto Matraga), by Guimarães Rosa. Our analysis opens a dialogue with the dialectical perspective, in which social-historical conditioning factors contribute to understand Minas Gerais backlands, whose ethos supplies a perception of the world incorporated by Guimarães Rosas’ poetics, widening the view of a violent and enchanting world. 2015 artículo científico 1983-4675 https://www.redalyc.org/articulo.oa?id=307437749006 en http://www.redalyc.org/revista.oa?id=3074 Acta Scientiarum. Language and Culture application/pdf Universidade Estadual de Maringá Acta Scientiarum. Language and Culture (Brasil) Num.1 Vol.37 |
| format | Artículo científico |
| id | redalyc_307437749006 |
| institution | Redalyc |
| language | en |
| publishDate | 2015 |
| publisher | Universidade Estadual de Maringá |
| spellingShingle | The Opus Dei of violence in Augusto Matraga João Batista Pereira Lengua y Literatura violence Guimarães Rosa Benjamin’s allegory The Opus Dei of violence in Augusto Matraga João Batista Pereira Lengua y Literatura violence Guimarães Rosa Benjamin’s allegory The experiences experienced by men in modernity transform literary narratives, thematically and formally, establishing the aim to use allegory as an explanatory stage of that new reality. In the book The Origin of German Tragic Drama, by Walter Benjamin, he conceives allegory as the revelation of a hidden truth that does not represent things just as they are, but provides a version of how they were or might have been. As a reflection of the principles implied in that reading, this paper takes Benjamin’s allegory as an analytical category aiming at identifying the representation of violence in the short story A hora e a vez de Augusto Matraga (The Hour and Turn of Augusto Matraga), by Guimarães Rosa. Our analysis opens a dialogue with the dialectical perspective, in which social-historical conditioning factors contribute to understand Minas Gerais backlands, whose ethos supplies a perception of the world incorporated by Guimarães Rosas’ poetics, widening the view of a violent and enchanting world. 2015 artículo científico 1983-4675 https://www.redalyc.org/articulo.oa?id=307437749006 en http://www.redalyc.org/revista.oa?id=3074 Acta Scientiarum. Language and Culture application/pdf Universidade Estadual de Maringá Acta Scientiarum. Language and Culture (Brasil) Num.1 Vol.37 |
| title | The Opus Dei of violence in Augusto Matraga |
| topic | Lengua y Literatura violence Guimarães Rosa Benjamin’s allegory |
| url | https://www.redalyc.org/articulo.oa?id=307437749006 |