Deixis and the renaissance art of self construction

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Bibliographic Details
Main Author: Sylvia Adamson
Format: Artículo científico
Language:en
Published: Spanish and Portuguese Society for English Renaissance Studies 2006
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author Sylvia Adamson
author_facet Sylvia Adamson
contents Deixis and the renaissance art of self construction Sylvia Adamson Lengua y Literatura Deixis renaissance historicism self in literature language and style This paper is offered as a contribution to our understanding of both the history of literary style and the psychology of reading. I begin with a comparison with art history, where the development of the technique of linear perspective provides a stylistic boundary-marker between medieval and renaissance styles. Identifying the ‘printed voice effect’ as an analogous demarcator in literary history, I explore the technical means by which the effect was created, in a set of case-studies representing the emergent genres of essay and dramatic lyric. My analytical model is adapted from Gombrich’s account of ‘guided projection,’ which explains pictorial illusion as the cooperative creation of the artist (who provides the visual cues) and the spectator (who interprets them). I argue that the literary equivalent to the geometric cues of perspective is to be found in the linguistic system of deixis and claim that renaissance texts show an innovative and experimental awareness of the deictic resources of the English language. 2006 artículo científico 1135-7789 https://www.redalyc.org/articulo.oa?id=333527602001 en http://www.redalyc.org/revista.oa?id=3335 SEDERI Yearbook application/pdf Spanish and Portuguese Society for English Renaissance Studies SEDERI Yearbook (España) Num.16
format Artículo científico
id redalyc_333527602001
institution Redalyc
language en
publishDate 2006
publisher Spanish and Portuguese Society for English Renaissance Studies
spellingShingle Deixis and the renaissance art of self construction
Sylvia Adamson
Lengua y Literatura
Deixis
renaissance
historicism
self in literature
language and style
Deixis and the renaissance art of self construction Sylvia Adamson Lengua y Literatura Deixis renaissance historicism self in literature language and style This paper is offered as a contribution to our understanding of both the history of literary style and the psychology of reading. I begin with a comparison with art history, where the development of the technique of linear perspective provides a stylistic boundary-marker between medieval and renaissance styles. Identifying the ‘printed voice effect’ as an analogous demarcator in literary history, I explore the technical means by which the effect was created, in a set of case-studies representing the emergent genres of essay and dramatic lyric. My analytical model is adapted from Gombrich’s account of ‘guided projection,’ which explains pictorial illusion as the cooperative creation of the artist (who provides the visual cues) and the spectator (who interprets them). I argue that the literary equivalent to the geometric cues of perspective is to be found in the linguistic system of deixis and claim that renaissance texts show an innovative and experimental awareness of the deictic resources of the English language. 2006 artículo científico 1135-7789 https://www.redalyc.org/articulo.oa?id=333527602001 en http://www.redalyc.org/revista.oa?id=3335 SEDERI Yearbook application/pdf Spanish and Portuguese Society for English Renaissance Studies SEDERI Yearbook (España) Num.16
title Deixis and the renaissance art of self construction
topic Lengua y Literatura
Deixis
renaissance
historicism
self in literature
language and style
url https://www.redalyc.org/articulo.oa?id=333527602001