INTUICIÓN ARTÍSTICA Y ACONTECIMIENTOS HISTÓRICOS: REBECA MATTE Y EL MONUMENTO A LA GUERRA PARA EL PALACIO DE LA PAZ EN LA HAYA: 1913-14
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| Format: | Artículo científico |
| Sprache: | es |
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Pontificia Universidad Católica de Chile
2003
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| author | ISABEL CRUZ DE AMENÁBAR |
| author_facet | ISABEL CRUZ DE AMENÁBAR |
| contents | INTUICIÓN ARTÍSTICA Y ACONTECIMIENTOS HISTÓRICOS: REBECA MATTE Y EL MONUMENTO A LA GUERRA PARA EL PALACIO DE LA PAZ EN LA HAYA: 1913-14 ISABEL CRUZ DE AMENÁBAR Historia Since the "romantic modernity" the nineteenth century painters and sculptors have increased their dramatic sense of life and history according, not only with the epocal circonstancies, but also with a process of self-conciusness, that intensified their sensibility. This article study this problem trhrough the example of the chilean scultpture, Rebeca Matte Bello (1875-1929) and her Monument "The War" in La Haya International Court, placed there in the year 1914, inmediatly before the begining of the First World War. The genesis of this monument in the personal and diplomatic chilean correspodence, shows that, nevertheless the proliferation of the pacifist mouvements leadered by The International Court, Rebeca Matte, according of his ouwn artistic intuition, anticipates, not the peace, but suffering, destruction and death. 2003 artículo científico 0073-2435 https://www.redalyc.org/articulo.oa?id=33414428004 es http://www.redalyc.org/revista.oa?id=334 Historia application/pdf Pontificia Universidad Católica de Chile Historia (Chile) Vol.36 |
| format | Artículo científico |
| id | redalyc_33414428004 |
| institution | Redalyc |
| language | es |
| publishDate | 2003 |
| publisher | Pontificia Universidad Católica de Chile |
| spellingShingle | INTUICIÓN ARTÍSTICA Y ACONTECIMIENTOS HISTÓRICOS: REBECA MATTE Y EL MONUMENTO A LA GUERRA PARA EL PALACIO DE LA PAZ EN LA HAYA: 1913-14 ISABEL CRUZ DE AMENÁBAR Historia INTUICIÓN ARTÍSTICA Y ACONTECIMIENTOS HISTÓRICOS: REBECA MATTE Y EL MONUMENTO A LA GUERRA PARA EL PALACIO DE LA PAZ EN LA HAYA: 1913-14 ISABEL CRUZ DE AMENÁBAR Historia Since the "romantic modernity" the nineteenth century painters and sculptors have increased their dramatic sense of life and history according, not only with the epocal circonstancies, but also with a process of self-conciusness, that intensified their sensibility. This article study this problem trhrough the example of the chilean scultpture, Rebeca Matte Bello (1875-1929) and her Monument "The War" in La Haya International Court, placed there in the year 1914, inmediatly before the begining of the First World War. The genesis of this monument in the personal and diplomatic chilean correspodence, shows that, nevertheless the proliferation of the pacifist mouvements leadered by The International Court, Rebeca Matte, according of his ouwn artistic intuition, anticipates, not the peace, but suffering, destruction and death. 2003 artículo científico 0073-2435 https://www.redalyc.org/articulo.oa?id=33414428004 es http://www.redalyc.org/revista.oa?id=334 Historia application/pdf Pontificia Universidad Católica de Chile Historia (Chile) Vol.36 |
| title | INTUICIÓN ARTÍSTICA Y ACONTECIMIENTOS HISTÓRICOS: REBECA MATTE Y EL MONUMENTO A LA GUERRA PARA EL PALACIO DE LA PAZ EN LA HAYA: 1913-14 |
| topic | Historia |
| url | https://www.redalyc.org/articulo.oa?id=33414428004 |