The role of the Blind Biwa Hóshi troubadours in the History of the Christian Mission in Japan
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| Formato: | Artículo científico |
| Lenguaje: | en |
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Universidade Nova de Lisboa
2003
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| _version_ | 1876441939289571328 |
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| author | Juan Ruiz de Medina |
| author_facet | Juan Ruiz de Medina |
| contents | The role of the Blind Biwa Hóshi troubadours in the History of the Christian Mission in Japan Juan Ruiz de Medina Historia Vocal and instrumental music in ancient Japan Percussion instruments String instruments, played by plucking and picking, and wind instruments Kotoand Shamisen The origins of the Biwa. Different kinds of Biwa The Biwas popularity The Biwa Hóshi masters The sightless The missionaries first contact withthe Japanese troubadours The first two Christian troubadours, Lourenço and theChild Tobias The musical ambience inside and outside the church Indigenousforms of music accepted by the church Music in theatre Vernacular accompanimentsto the Latin liturgy The catechesis in song The soloists The hierarchy ofthe blind The Christian troubadours activities during the persecution Somepersonal names The talent and personality of Damião of Yamaguchi, Biwa Hóshiand martyr. 2003 artículo científico 0874-8438 https://www.redalyc.org/articulo.oa?id=36100606 en http://www.redalyc.org/revista.oa?id=361 Bulletin of Portuguese - Japanese Studies application/pdf Universidade Nova de Lisboa Bulletin of Portuguese - Japanese Studies (Portugal) Num.6 |
| format | Artículo científico |
| id | redalyc_36100606 |
| institution | Redalyc |
| language | en |
| publishDate | 2003 |
| publisher | Universidade Nova de Lisboa |
| spellingShingle | The role of the Blind Biwa Hóshi troubadours in the History of the Christian Mission in Japan Juan Ruiz de Medina Historia The role of the Blind Biwa Hóshi troubadours in the History of the Christian Mission in Japan Juan Ruiz de Medina Historia Vocal and instrumental music in ancient Japan Percussion instruments String instruments, played by plucking and picking, and wind instruments Kotoand Shamisen The origins of the Biwa. Different kinds of Biwa The Biwas popularity The Biwa Hóshi masters The sightless The missionaries first contact withthe Japanese troubadours The first two Christian troubadours, Lourenço and theChild Tobias The musical ambience inside and outside the church Indigenousforms of music accepted by the church Music in theatre Vernacular accompanimentsto the Latin liturgy The catechesis in song The soloists The hierarchy ofthe blind The Christian troubadours activities during the persecution Somepersonal names The talent and personality of Damião of Yamaguchi, Biwa Hóshiand martyr. 2003 artículo científico 0874-8438 https://www.redalyc.org/articulo.oa?id=36100606 en http://www.redalyc.org/revista.oa?id=361 Bulletin of Portuguese - Japanese Studies application/pdf Universidade Nova de Lisboa Bulletin of Portuguese - Japanese Studies (Portugal) Num.6 |
| title | The role of the Blind Biwa Hóshi troubadours in the History of the Christian Mission in Japan |
| topic | Historia |
| url | https://www.redalyc.org/articulo.oa?id=36100606 |