Popular Culture and High Art in the Work of Oscar Niemeyer
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| Format: | Artículo científico |
| Langue: | en |
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Universidad Nacional Autónoma de México
1994
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| _version_ | 1876470131422396416 |
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| author | David Underwood |
| author_facet | David Underwood |
| contents | Popular Culture and High Art in the Work of Oscar Niemeyer David Underwood Arte In his early domestic architecture, Oscar Niemeyer following the footsteps of Le Corbusier "monumentalized" the modernist and the Brazilian. Niemeyer´s later work is a more aggressive interactive process: the manipulation of popular traditions for the ideological purposes of populist politics. Niemeyer has reshaped the ritual of the carnival festival by creating a unique space for its yearly celebration: the "Sambódromo." The institutionalization of the samba parade into a fixed architectural contex implies a demagogic (elite-controlled) restructuring of popular ritual. 1994 artículo científico 0185-1276 https://www.redalyc.org/articulo.oa?id=36906505 en http://www.redalyc.org/revista.oa?id=369 Anales del Instituto de Investigaciones Estéticas application/pdf Universidad Nacional Autónoma de México Anales del Instituto de Investigaciones Estéticas (México) Num.65 Vol.XVI |
| format | Artículo científico |
| id | redalyc_36906505 |
| institution | Redalyc |
| language | en |
| publishDate | 1994 |
| publisher | Universidad Nacional Autónoma de México |
| spellingShingle | Popular Culture and High Art in the Work of Oscar Niemeyer David Underwood Arte Popular Culture and High Art in the Work of Oscar Niemeyer David Underwood Arte In his early domestic architecture, Oscar Niemeyer following the footsteps of Le Corbusier "monumentalized" the modernist and the Brazilian. Niemeyer´s later work is a more aggressive interactive process: the manipulation of popular traditions for the ideological purposes of populist politics. Niemeyer has reshaped the ritual of the carnival festival by creating a unique space for its yearly celebration: the "Sambódromo." The institutionalization of the samba parade into a fixed architectural contex implies a demagogic (elite-controlled) restructuring of popular ritual. 1994 artículo científico 0185-1276 https://www.redalyc.org/articulo.oa?id=36906505 en http://www.redalyc.org/revista.oa?id=369 Anales del Instituto de Investigaciones Estéticas application/pdf Universidad Nacional Autónoma de México Anales del Instituto de Investigaciones Estéticas (México) Num.65 Vol.XVI |
| title | Popular Culture and High Art in the Work of Oscar Niemeyer |
| topic | Arte |
| url | https://www.redalyc.org/articulo.oa?id=36906505 |