Exploraciones sobre la construcción y la reconstrucción coreográficas
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| Format: | Artículo científico |
| Language: | en |
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Universidad Nacional Autónoma de México
1999
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| _version_ | 1876448245715042304 |
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| author | Alberto Dallal |
| author_facet | Alberto Dallal |
| contents | Exploraciones sobre la construcción y la reconstrucción coreográficas Alberto Dallal Arte Alberto Dallal defines the dance phenomenon as the movement of bodies in space, which is invariably significant. He then specifies the main characteristics of choreographic composition. In addition, the author raises questions to make us think about the notation problems which are inherent to choreography. He also presents the problems of the lack of a universal language within the evolution of dance. The usage and acceptance of a universal language are the basis of a lasting and legible record of all memorable sessions throughout the development of dance. In addition, the author detects problems in silence and time, which are related to musical silence, the notions of no-movement, and no-meaning. Despite the paradox that make them antipodes, these elements are interdependent. Using these theoretical explanations, the author demonstrates the importance that the choreographer has had in modern societies, given their high level of especialization 1999 artículo científico 0185-1276 https://www.redalyc.org/articulo.oa?id=36907412 en http://www.redalyc.org/revista.oa?id=369 Anales del Instituto de Investigaciones Estéticas application/pdf Universidad Nacional Autónoma de México Anales del Instituto de Investigaciones Estéticas (México) Num.75 Vol.XXI |
| format | Artículo científico |
| id | redalyc_36907412 |
| institution | Redalyc |
| language | en |
| publishDate | 1999 |
| publisher | Universidad Nacional Autónoma de México |
| spellingShingle | Exploraciones sobre la construcción y la reconstrucción coreográficas Alberto Dallal Arte Exploraciones sobre la construcción y la reconstrucción coreográficas Alberto Dallal Arte Alberto Dallal defines the dance phenomenon as the movement of bodies in space, which is invariably significant. He then specifies the main characteristics of choreographic composition. In addition, the author raises questions to make us think about the notation problems which are inherent to choreography. He also presents the problems of the lack of a universal language within the evolution of dance. The usage and acceptance of a universal language are the basis of a lasting and legible record of all memorable sessions throughout the development of dance. In addition, the author detects problems in silence and time, which are related to musical silence, the notions of no-movement, and no-meaning. Despite the paradox that make them antipodes, these elements are interdependent. Using these theoretical explanations, the author demonstrates the importance that the choreographer has had in modern societies, given their high level of especialization 1999 artículo científico 0185-1276 https://www.redalyc.org/articulo.oa?id=36907412 en http://www.redalyc.org/revista.oa?id=369 Anales del Instituto de Investigaciones Estéticas application/pdf Universidad Nacional Autónoma de México Anales del Instituto de Investigaciones Estéticas (México) Num.75 Vol.XXI |
| title | Exploraciones sobre la construcción y la reconstrucción coreográficas |
| topic | Arte |
| url | https://www.redalyc.org/articulo.oa?id=36907412 |