Crafting a doll and a film: challenges in filming a doll-in-the-making
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| Format: | Artículo científico |
| Sprache: | en |
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Centro em Rede de Investigação em Antropologia
2017
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| _version_ | 1876476175202648064 |
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| author | Inês Ponte |
| author_facet | Inês Ponte |
| contents | Crafting a doll and a film: challenges in filming a doll-in-the-making Inês Ponte Antropología Angola filmmaking materiality ethnography Visual anthropology This article looks into Making a Living in the Dry Season , a research film grounded in a long-term stay at a highland agro-pastoralist village in Namibe province, A ngola. The film is an intimate portrait of the day-to-day life of a family exami ning through the practice of doll-making a twofold notion of labour, that is, the labour in craft- ing and the labour in making a living. I explore insights acquired by the process of making this film and its relation with the end result, discussing the challenges of using filmmaking as a research method, and as an outcome into a film. I l ook at the knowledge generated in filming, and its subsequent editing and re-ed iting, paying attention to the role of differing partnerships in the overall production process and in shaping the finished film. 2017 artículo científico 0873-6561 https://www.redalyc.org/articulo.oa?id=372354973002 en http://www.redalyc.org/revista.oa?id=3723 Etnográfica application/pdf Centro em Rede de Investigação em Antropologia Etnográfica (Portugal) Num.3 Vol.21 |
| format | Artículo científico |
| id | redalyc_372354973002 |
| institution | Redalyc |
| language | en |
| publishDate | 2017 |
| publisher | Centro em Rede de Investigação em Antropologia |
| spellingShingle | Crafting a doll and a film: challenges in filming a doll-in-the-making Inês Ponte Antropología Angola filmmaking materiality ethnography Visual anthropology Crafting a doll and a film: challenges in filming a doll-in-the-making Inês Ponte Antropología Angola filmmaking materiality ethnography Visual anthropology This article looks into Making a Living in the Dry Season , a research film grounded in a long-term stay at a highland agro-pastoralist village in Namibe province, A ngola. The film is an intimate portrait of the day-to-day life of a family exami ning through the practice of doll-making a twofold notion of labour, that is, the labour in craft- ing and the labour in making a living. I explore insights acquired by the process of making this film and its relation with the end result, discussing the challenges of using filmmaking as a research method, and as an outcome into a film. I l ook at the knowledge generated in filming, and its subsequent editing and re-ed iting, paying attention to the role of differing partnerships in the overall production process and in shaping the finished film. 2017 artículo científico 0873-6561 https://www.redalyc.org/articulo.oa?id=372354973002 en http://www.redalyc.org/revista.oa?id=3723 Etnográfica application/pdf Centro em Rede de Investigação em Antropologia Etnográfica (Portugal) Num.3 Vol.21 |
| title | Crafting a doll and a film: challenges in filming a doll-in-the-making |
| topic | Antropología Angola filmmaking materiality ethnography Visual anthropology |
| url | https://www.redalyc.org/articulo.oa?id=372354973002 |